Double Take
remember his name? Are the dead playing some sort of weird game? Sorry, Julia, but it doesn’t make much sense to me. It sounds to me like they’re simply fishing, trying to hook in some poor schmuck who’s grieving and desperate to know that his loved one who died still, somehow, exists, and is somehow sentient.”
Julia said, “Oh, the psychic field is full of charlatans, wannabes, and shysters, all right. I watched a tape of a woman medium—she really had some poor young man going, telling him his mother was right there beside him and that she wanted him to stop his grieving, that he had to depend on himself now, that she knew her passing had frozen him in place and he needed to move on. She wanted him to know she loved him as much now as she had before she’d passed. The medium realized she’d got something obviously wrong because the young man didn’t respond, and so she quickly switched in midstream in a different direction. She suggested he hadn’t gotten along with his mother, and when he responded and nodded, she knew she had him. She kept talking, hinting around what his mother was like—that she always spoke her mind, that she was always telling those around her what to do—and soon she had the young man nodding some more. She used the guy’s guilt to get to him, and by the end of it, he was crying and clutching the medium’s hand, and I thought, how low do you have to be to perpetrate such a lie on a vulnerable person? And all for money, I guess, for a name, for self-aggrandizement. “I’ll tell you, Cheney, August hated those slicks —that’s what he called the so-called psychic mediums on TV. All you have to do is read the long release forms every TV show attendee has to sign to know there’s something seriously amiss with the whole thing. They basically make you swear you won’t say a single word to anyone about what happens during the show for as long as you live. You probably have to swear to keep quiet even after you’re dead.”
Cheney cut his eyes to her. “There are release forms?”
“Yes, isn’t that something? The producers and the psychics want to cover themselves since a person could tell the media after the show is aired how thoroughly the show was edited, how the psychic was bumbling around.
“August called it the Barnum philosophy at work—give people what they want. If they’re hurting, be the compassionate expert who will take away the hurt. It’s the grieving people who make it all work. They’ll overlook the most egregious blunders— or misses as they’re called—and still believe that beloved dead Uncle Albert is there, at the medium’s elbow, watching over them, telling them he’s happy as a clam himself, and even happier they’re doing well and they’re not to worry about him.”
Cheney said, “And Uncle Albert didn’t even bother to tell the medium his name? It boggles the mind what people can be led to believe.”
Julia nodded. “It takes a lot of talent to be able to run the ultimate scam—convincing the marks they’re talking to dead people. Sometimes mediums justify it by saying they’re helping people get through their grief, helping them by using their own brand of counseling. But August never believed in anything based on a lie. If those people want to be grief counselors, they should be up front about it.”
Cheney said slowly, “I don’t understand, Julia. Didn’t August Ransom claim he spoke to dead people?” Yes.
“Did the dead at least give him their names?”
“I can’t say, since his consultations were always private, and he never spoke to me about them, or to anyone else.”
“But you believe he spoke to the dead? Communicated with them, passed on messages to those grieving left behind?”
“He told me he’d spoken to Lincoln, and I believed him.”
She sounded so certain, so settled in her belief. He eyed her. He didn’t know what to think. He decided to leave what she’d said alone. She’d evidently bought into everything her husband had told her. He wasn’t going to make her defend him.
A horn sounded, and he focused on the road again. He finally saw the exit sign to Livermore. “I want to hear more about all this, but first, we’ve got about five minutes for you to tell me about Kathryn Golden.”
She said, “I think Bevlin’s wrong about Kathryn being in love with August. She’s too—together, I guess is the right word, too focused on what she is, to love someone like that. And besides,
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