Dust of Dreams

drawing.
When the dead find me in my dreams
I see them living in the hidden places
Unanchored in time and ageless as wishes.
The woman lying at my side hears my sigh
Following the morning chime and asks
After me as I lie in the wake of sorrow’s concert,
But I will not speak of life’s loneliness
Or the empty shorelines where fishermen belong
And the houses never lived in never again
That stand in necessary configurations
To build us familiar places for the dead.
One day I will journey into her dreams
But I say nothing of this behind my smile
And she will see me hunting the dark waters
For the flit of trout and we will travel
Strange landscapes in the forever instant
Until she leaves me for the living day
But as the dead well know the art of fishing
Finds its reward in brilliant joyous hope
And eternal loving patience, and it is my
Thought now that such gods that exist
Are the makers of dreams and this is their gift
This blessed river of sleep and dreams
Where in wonder we may greet our dead
And sages and priests are wise when they say
Death is but sleep and we are forever alive
In the dreams of the living, for I have seen
My dead on nightly journeys and I tell you this:
They are well.
    S ONG OF D REAMING

F ISHER

Chapter Thirteen
    They came late to the empty land and looked with bitterness upon the six wolves watching them from the horizon’s rim. With them was a herd of goats and a dozen black sheep. They took no account of the wolves’ possession of this place, for in their minds ownership was the human crown that none other had the right to wear. The beasts were content to share in survival’s struggle, in hunt and quarry, and the braying goats and bawling sheep had soft throats and carelessness was a common enough flaw among herds; and they had not yet learned the manner of these two-legged intruders. Herds were fed upon by many creatures. Often the wolves shared their meals with crows and coyotes, and had occasion to argue with lumbering bears over a delectable prize.
    When I came upon the herders and their long house on a flat above the valley, I found six wolf skulls spiked above the main door. In my travels as a minstrel I knew enough that I had no need to ask—this was a tale woven into our kind, after all. No words, either, for the bear skins on the walls, the antelope hides and elk racks. Not a brow lifted for the mound of bhederin bones in the refuse pit, or the vultures killed by the poison-baited meat left for the coyotes.
    That night I sang and spun tales for my keep. Songs of heroes and great deeds and they were pleased enough and the beer was passing and the shank stew palatable.
    Poets are sembling creatures, capable of shrugging into the skin of man, woman, child and beast. There are some among them secretly marked, sworn to the cults of the wilderness. And that night I shared out my poison and in the morning I left a lifeless house where not a dog remained to cry, and I sat upon a hill with my pipe, summoning once more the wild beasts. I defend their ownership when they cannot, and make no defence against the charge of murder; but temper your horror, friends: there is no universal law that places a greater value upon humanlife over that of a wild beast. Why would you ever imagine otherwise?
    C ONFESSIONS OF T WO H UNDRED
T WENTY-THREE C OUNTS OF J USTICE

W ELTHAN THE M INSTREL ( AKA S INGER M AD )

    H
e came to us in the guise of a duke from an outlying border fastness—a place remote enough that none of us even thought to suspect him. And in his manner, his hard countenance and few words, he matched well our lazy preconceptions of such a man. None of us could argue that there was something about him, a kind of self-assurance rarely seen at court. In his eyes, like wolves straining at chains, there was a hint of the feral—the priestesses positively dripped.
    ‘But, they would find, his was a most potent seed. And it was not Tiste Andii.’
    Silchas Ruin poked at the fire with a stick, reawakening flames. Sparks fled up into the dark. Rud watched the warrior’s cadaverous face, the mottled play of orange light that seemed to paint brief moments of life in it.
    After a time, Silchas Ruin settled back and resumed. ‘Power was drawn to him like slivers of iron to a lodestone . . . it all seemed so . . . natural. His distant origins invited the notion of neutrality, and one might argue, in hindsight, that Draconus was indeed neutral. He would use any and every Tiste Andii to