In Death 25 - Creation in Death
drugged until he was ready, or—if she was the first—he’d begin.”
“The first?”
“That’s right. And when he was ready, he’d start the clock. He’d remove her clothes; he would bind her. His preferred method of binding is rope—a good hemp. It chafes during struggle. He would use four methods of torture—physically, we can’t speak to psychologically—which are heat, cold, sharp implements, and dull implements. He would employ these methods at increasing severity. He’d continue until, you could speculate, the victim no longer provides him with enough stimulation or pleasure or interest. Then he ends it by slitting their wrists and letting them bleed out. Postmortem, he carves into their torsos, the time—in hours, minutes, and seconds—they survived.”
There was a long moment of absolute silence. “How long?” Roarke asked.
“She was strong. He washes them afterward. Scrubs them down using a high-end soap and shampoo. We think he wraps them in plastic, then transports them to a location he’d have already scouted out and selected. He lays them out there, on a clean white cloth. He puts a silver band on their ring finger, left hand.”
“Aye.” Roarke murmured it as he stared out the window. “I remember some of this. I’ve heard some of this.”
“Between February eleventh and February twenty-sixth, 2051, he abducted, tortured, and killed four women in this manner. Then he stopped. Just stopped. Into the wind, into the fucking ether. I’d hoped into Hell.”
Roarke understood now why she’d been called in, off the roll, by the commander. “You worked these murders.”
“With Feeney. He was primary. I was a detective, just made second grade, and we worked it. We had a task force by the second murder. And we never got him.”
Four women, Eve thought, who had never gotten justice.
“He’s surfaced again, here and there,” she continued. “Two weeks, two and a half—four or five women. Then he goes under. A year, a year and a half. Now he’s come back to New York, where we think he started. Back to where he started, and this time, we’ll finish it.”
I n his well-appointed living room, with the split of champagne he traditionally opened to celebrate the end of a successful project, the man the media had long ago dubbed The Groom settled down in front of his entertainment screen.
It was too early, he knew, most likely too early for any reports. It would be morning before his latest creation was discovered. But he couldn’t resist checking.
A few moments, just to see, he told himself, then he’d enjoy his champagne with some music. Puccini, perhaps, in honor of…he had to pause and think before he remembered her name. Sarifina, yes. Such a lovely name. Puccini for Sarifina. He really believed she’d responded to Puccini best.
He surfed the channels, and was rewarded almost immediately. Delighted, he sat up, crossed his ankles, and prepared to listen to his latest reviews.
Identification is not being released in order for the woman’s next of kin to be notified. While there is no confirmation at this time that the woman was murdered, the participation of Lieutenant Eve Dallas on the scene indicates foul play is being considered.
He applauded, lightly, when Eve’s face came on screen. “There you are,” he said. “Hello, again! So nice, so very nice to see old friends. And this time, this time we’re going to get to know each other so very much better.”
He lifted his glass, held it out in a toast. “I know you’re going to be my very finest work.”
2
SARIFINA’S APARTMENT WAS URBAN HIP. STRONG colors dominated in paint and fabric, with glossy black as counterpoint in tables, shelves. Sleek and vibrant, Eve thought. And low-maintenance, which made her think of a woman who didn’t have the time or the inclination to fuss.
Her bed was made, covered with a stoplight-red spread and boldly patterned pillows. In the closet was a collection of vintage gowns. Sleek again, simple, and still vibrant in color. Shoes Eve thought might be vintage as well were in clear protective boxes.
She took care of what was hers.
“Is this the sort of gear she’d wear at the club?” Eve asked Roarke.
“Yes, exactly. It’s retro—1940s theme. She’d be expected to mingle, to recognize and greet regulars, to table hop. And to look the part.”
“Guess she would have. Some more up-to-date street clothes, two business-type suits. We’ll tag her
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