Intensity

sprained finger, she placed her cuffed hands under the table and lifted. It weighed considerably more than she did-a two-inch pine top, the thick staves in the supporting barrel, the black iron hoops around the staves, perhaps that bag of sand-and she couldn't get much leverage while she was forced to remain seated. The bottom of the barrel tipped up an inch, then two inches. The water glass toppled, spilling its contents, rolled away from her, dropped off the table, and shattered on the floor. All the noise made it seem as if her plan was working-she hissed, "Yes!"-but then because she had underestimated the weight and the effort required to move it, she had to relent, and the barrel slammed down.
        Chyna flexed her muscles, took a deep breath, and immediately returned to the task. This time she planted her feet as far apart as her shackles would allow. On the underside of the table, she flattened her upturned palms against the pine, thumbs hooked toward herself over the smooth bull-nose edge. She tensed her legs as well as her arms, and when she shoved up on the table, she pushed with her legs too, getting to her feet an inch at a time, one hard-won inch for each inch that the table tipped up and backward. She did not have enough slack in the various tethering chains to be able to get all the way-or halfway-erect, so she rose haltingly in a stiff and awkward crouch, cramped under the weight of the table. She put enormous strain on her knees and thighs, wheezing, shuddering with the effort, but she persevered because each precious inch that she was able to gain improved her leverage; she was using her entire body to lift, lift, lift.
        The sandwich plate and the bag of potato chips slid off the table. China cracked and chips scattered across the floor with a sound unnervingly like scurrying rodents.
        The pain in her neck was excruciating, and someone seemed to be twisting a corkscrew into her right clavicle. But pain couldn't stop her. It motivated . The greater her pain, the more she identified with Laura and the whole Templeton family, with the young man hanging in the motor-home closet, with the service-station clerks, and with all the people who might be buried down in the meadow; and the more she identified with them, the more she wanted Edgler Vess to suffer a world of hurt. She was in an Old Testament mood, unwilling to turn the other cheek just now. She wanted Vess screaming on a rack, stretched until his joints popped apart and his tendons tore. She didn't want to see him confined to a state hospital for the criminally insane, there to be analyzed and counseled and instructed as to how best to increase his self-esteem, treated with a panoply of antipsychotic drugs, given a private room and television, booked in card tournaments with his fellow patients, and treated to a turkey dinner on Christmas. Instead of having him consigned to the mercies of psychiatrists and social workers, Chyna wanted to condemn him to the skilled hands of an imaginative torturer, and then see how long the sonofabitch bastard freak remained faithful to his philosophy about all experiences being value neutral, all sensations equally worthwhile. This ardent desire, refined from her pain, was not noble in the least, but it was pure, a high-octane fuel that burned with an intense light, and it kept her motor running.
        This side of the barrel pedestal was off the floor perhaps three inches-she could only guess-approximately as high as she had gotten it before, but she still had plenty of steam left. Bent in a backward Z, as hunched as a God-cursed troll, she muscled the table up, knees aching, thighs quivering with the strain, her butt clenched tighter than a politician's fist around a cash bribe. She encouraged herself aloud by talking to the table as if it possessed awareness: " Come on, come on, come on, move, shit, shit, move, you sonofabitch, higher, come on, damn you, damn it, come on. "
        A ludicrous mental image of herself flashed through her mind: She must resemble a character in one of those movie scenes where the deceived cowboy cottons to the truth and overturns the poker table on the dishonest itinerant cardshark, except that she was playing the drama in slow motion, as in a Western underwater.
        Initially the chair remained exactly where it had been when her butt parted company with it, but as her arms lifted higher and stretched farther in front of her, the heavy chair was