Looking Good Dead

again. ‘You don’t get it, fuckwit, do you? How are you going to be able to see yourselves?’
    ‘I – I don’t – know.’
    ‘You’re even more stupid than I thought. You want to pay money so you and your vain little drunk of a wife can watch yourselves looking good dead?’

75
    Roy Grace was on the phone non-stop as he drove in his Alfa, making one call after another: checking on Emma-Jane, then the progress of each of his team members in turn, driving them as hard as they could be pushed.
    He headed east along the coast road, leaving behind the elegant Regency facades of Kemp Town for the open country, high above the cliffs, passing the vast neo-Gothic pile of Roedean girls’ school and then the art deco building of the St Dunstan’s home for the blind.
    Nine fifteen tomorrow night.
    The time was lasered into his consciousness; it formed part of every thought that he had. It was now 10.15 a.m., Monday. Just thirty-five hours to the broadcast – and how long before then would the Bryces be killed?
    Janie Stretton had been late at the vet with her cat for a 6.30 p.m. appointment, and she hadn’t left until at least 7.40. In between then and approximately 9.15 p.m., when Tom Bryce claimed to have seen her on his computer, she had been murdered and the video of it broadcast. If the same pattern was followed now maybe they had until around 7.30 p.m. tomorrow. Just over thirty-three hours.
    And still no live leads.
    Thirty-three hours was no damn time at all.
    Then he allowed himself just the briefest smile at the thought of Cassian Pewe in hospital. The irony of it. The incredible coincidence. And the fact that Alison Vosper had seen the funny side – showing him a rare side of herself, the human side. And the thing was – not a good thing, he knew, but he could not help it – he didn’t feel even the tiniest bit bad about it, or sorry for the man.
    He was sorry for the innocent taxi driver, but not for that little shit, Cassian Pewe, who had arrived in Brighton newly promoted and with every intention of stealing his lunch. The problem hadn’t gone away, but with the man’s injuries it was at least deferred for a while.

    He drove through the smart, historic, cliff-top village of Rottingdean, along a sweeping rise then dip, followed by another rise, past the higgledy-piggledy post-war suburban sprawl of Saltdean, then to Peacehaven, near where Glenn Branson lived and where Janie Stretton had died.
    He turned off the coast road into a maze of hilly streets crammed with bungalows and small detached houses, and pulled up outside a small, rather neglected bungalow with a decrepit camper van parked outside.
    He ended a call to Norman Potting, who seemed well advanced with his search for sulphuric acid suppliers, downed another Red Bull and two more ProPlus, walked up a short path lined with garden gnomes and stepped into a porch, past motionless wind chimes, and rang the doorbell.
    A diminutive, wiry man well into his seventies, bearing more than a passing resemblance to several of the gnomes he had just passed, opened the door. He had a goatee beard, long grey hair tied back in a ponytail, wore a kaftan and dungarees, and was sporting an ankh medallion on a gold chain. He greeted Grace effusively in a high-pitched voice, a bundle of energy, taking his hand and staring at him with the joy of a long-lost friend. ‘Detective Superintendent Grace! So good to see you again so soon!’
    ‘And you, my friend. Sorry I’m so late.’ It was just over a week since Grace had last called on his services – when Frame had undoubtedly helped save an innocent man’s life.
    Harry Frame gripped his hand with a strength that belied both his years and his size, and stared up at him with piercing green eyes. ‘So, to what do I owe the pleasure this time? Come in!’
    Grace followed him into a narrow hallway lit by a low-wattage bulb in a hanging lantern, and decorated in a nautical theme, the centrepiece of which was a large brass porthole on the wall, and through into a sitting room, the shelves crammed with ships in bottles. There was a drab three-piece suite, the backs draped with antimacassars, a television that was switched off, and a round oak table with four wooden chairs by the window, to which Frame ushered him. On the wall, Grace clocked, as he did on each visit here, a naff print of Anne Hathaway’scottage and a framed motto which read, ‘A mind once expanded can never return to its original