Lustrum

squinted in bewilderment at the bare walls and floors of the atrium. He shuffled into his library. I followed him and watched from the doorway as he inspected the empty cabinets. He had been left with only a chair and a small table. Without looking round, he said in a voice all the more awful for being so quiet, 'Who has done this?'
    'The mistress thought it a sensible precaution,' I replied.
    'A sensible precaution?' He ran his hand over the empty wooden shelving. It was all made of rosewood, beautifully carpentered to his own design. 'A stab in the back, more like!' He inspected the dust on his fingertips. 'She never did care for this place.' And then, still without looking at me, he said, 'Have a carriage made ready.'
    'Of course.' I hesitated. 'May I know the destination, so I can tell the driver where he is to go?'
    'Never mind the destination. Just get me the damned carriage.'
    I went and told the ostler to bring the carriage round to the front door, then I found Terentia and warned her that the master was planning to go out. She stared at me in alarm and hurried downstairs into the library. Most of the household had heard that Cicero had got out of bed at last, and they were standing around in the atrium, fascinated and fearful, not even pretending to work. I did not blame them: their fates, like mine, were all tied up with his. We heard the sound of raised voices, and soon afterwards Terentia ran out of the library with tears pouring down her cheeks. She said to me, 'Go with him,' and fled upstairs. Cicero emerged moments later, scowling, but at least looking much more his old self, as if having a heated argument with his wife had acted as a kind of tonic. He walked towards the front door and ordered the porter to open it. The porter looked at me, as if seeking my approval. I nodded quickly.
    As usual there were demonstrators in the street, but far fewer than when the bill forbidding Cicero fire and water had first been promulgated. Most of the mob, like a cat at a mousehole, had grown weary of waiting for their victim to appear. Still, what the remainder lacked in numbers they made up for in venom, and they set up a great racket of 'Tyrant!' and 'Murderer!' and 'Death!' and as Cicero appeared they surged forwards. He stepped straight into the carriage, and I followed. A bodyguard was sitting up on the roof with the driver, and he leaned down to me to ask where we were to go. I looked at Cicero.
    'To Pompey's house,' he said.
    'But Pompey's not in Rome,' I protested. By this time, fists were pounding against the side of the carriage.
    'Where is he, then?'
    'At his place in the Alban Hills.'
    'All the better,' replied Cicero. 'He will not be expecting me.'
    I shouted up to the driver that we should head for the Capena Gate, and with a crack of his whip, and a final flurry of shouts and thumps on the wooden panels, we lurched forward.
    The journey must have taken us at least two hours, and in the whole of that time Cicero did not utter a word, but sat hunched in the corner of the carriage, his legs turned away from me, as if he wished to compress himself into the smallest space possible. Only when we turned off the highway on to Pompey's long gravelled drive did he uncoil his body and peer out of the window at the opulent grounds, with their topiary and statuary. 'I shall shame him into protecting me,' he said, 'and if he still refuses I shall kill myself at his feet and he will be cursed by history for his cowardice for ever. You think I don't mean it? I am perfectly serious.' He put his hand in the pocket of his tunic and showed me a small knife, its blade no wider than his hand. He grinned at me. He seemed to have gone quite mad.
    We pulled up in front of the great country villa, and Pompey's household steward sprang forward to open the carriage door. Cicero had been here countless times. The slave knew him very well. But his smile of greeting shrivelled as he saw Cicero's unkempt face and black tunic, and he took a step backwards in shock. 'Do you smell that, Tiro?' asked Cicero, offering me the back of his hand. He raised it to his own nostrils and sniffed. 'That's the smell of death.' He gave an odd laugh, then climbed down from the carriage and strode towards the house, saying to the steward over his shoulder, 'Tell your master I'm here. I know where to go.'
    I hastened after him, and we went into a long salon filled with antique furniture, tapestries and carpets. Souvenirs of Pompey's many campaigns