Midnight

led back to the bedrooms and baths. Loman kept it covered with his shotgun.
    The deputies went into the foyer, which was connected to the living room by a wide archway. A closet was on the right, just inside the front door. Sholnick stood in front of it, his 20-gauge lowered. From the side Penniworth jerked open the door. The closet contained only coats.
    The easy part of the search was behind them. Ahead lay the narrow hall with three doors off it, one half open and two ajar, dark rooms beyond. There was less space in which to maneuver, more places from which an assailant might attack.
    Night wind soughed in the eaves. It fluted across a rain gutter, producing a low, mournful note.
    Loman had never been the kind of leader who sent his men ahead into danger while he stayed back in a position of safety. Although he had shed pride and self-respect and a sense of duty along with most other Old People attitudes and emotions, duty was still a habit with him—in fact, less conscious than a habit, more like a reflex—and he operated as he would have done before the Change. He entered the hall first, where two doors waited on the left and one on the right. He moved swiftly to the end, to the second door on the left, which was half open; he kicked it inward, and in the light from the hall he saw a small, deserted bathroom before the door bounced off the wall and swung shut again.
    Penniworth took the first room on the left. He went in and found the light switch by the time Loman reached that threshold.
    It was a study with a desk, worktable, two chairs, cabinets, tall bookshelves crammed full of volumes with brightly colored spines, two computers. Loman moved in and covered the closet, where Penniworth warily rolled aside first one and then the other of two mirrored doors.
    Nothing.
    Barry Sholnick remained in the hallway, his 20-gauge leveled at the room they hadn't investigated. When Loman and Penniworth rejoined him, Sholnick shoved that door all the way open with the barrel of his shotgun. As it swung wide, he jerked back, certain that something would fly at him from the darkness, though nothing did. He hesitated, then stepped into the doorway, fumbled with one hand for the light switch, found it, said, "Oh, my God," and stepped quickly back into the hall.
    Looking past his deputy into a large bedroom, Loman saw a hellish thing crouched on the floor and huddled against the far wall. it was a regressive, no doubt Peyser, but it did not look as much like the regressed Jordan Coombs as Loman expected. There were similarities, yes, but not many.
    Easing by Sholnick, Loman crossed the threshold.
    "Peys—" The thing at the other end of the room blinked at him, moved its twisted mouth. In a voice that was whispery yet guttural, savage yet tortured as only the voice of an at least halfway intelligent creature could be, it said, "Peyser, Peyser, Peyser, me, Peyser, me, me …"
    The odor of urine was here, too, but that other scent was now the dominant one—sharp, musky.
    Loman moved farther into the room. Penniworth followed. Sholnick stayed at the doorway. Loman stopped twelve feet from Peyser, and Penniworth moved off to one side, his 20-gauge held ready.
    When they'd cornered Jordan Coombs in the shuttered movie theater back on September fourth, he had been in an altered state somewhat resembling a gorilla with a squat and powerful body. Mike Peyser, however, had a far leaner appearance, and as he crouched against the bedroom wall, his body looked more lupine than apelike. His hips were set at an angle to his spine, preventing him from standing or sitting completely erect, and his legs seemed too short in the thighs, too long in the calves. He was covered in thick hair but not so thick that it could be called a pelt.
    "Peyser, me, me, me …"
    Coombs's face had been partly human, though mostly that of a higher primate, with a bony brow, flattened nose, and thrusting jaw to accommodate large, wickedly sharp teeth like those of a baboon. Mike Peyser's hideously transformed countenance had, instead, a hint of the wolf in it, or dog; his mouth and nose were drawn forward into a deformed snout. His massive brow was like that of an ape, though exaggerated, and in his bloodshot eyes, set in shadowy sockets deep beneath that bony ridge, was a look of anguish and terror that was entirely human.
    Raising one hand and pointing at Loman, Peyser said, "… help me, now, help, something wrong, wrong, wrong, help …"
    Loman stared at