N Is for Noose

I didn't hear Rafer come in, but I was suddenly aware of him standing in the doorway. "You're taking off?" he asked.
    "I'd be crazy to stay here."
    "I agree with you on that, but I didn't think you were finished with your investigation."
    "That remains to be seen."
    His gaze rested on me with concern. "You want to talk?"
    I looked up at him. "About what? This is a simple job to me, not some moral imperative. I'm getting paid for a piece of work. I guess I have my limits on that score."
    "You're going to quit?"
    "I didn't say that. I'll talk to Selma first and thenwe'll see where we go from here."
    "Look, I can see you're upset. I'd offer you protection, but I don't have a deputy to spare. We operate on a shoestring-"
    "I appreciate the sentiment. I'll let you know what I decide."
    "It wouldn't hurt to have help. You know anybody who could pitch in on personal security?"
    "Oh, please. Absolutely not. I wouldn't do that. This is strictly my problem and I'll handle it," I said. "Trust me, I'm not being pig-headed or proud. I hired a bodyguard once before, but this is different."
    "How so?"
    "If that guy meant to kill me, he'd have done it last night."
    "Listen, I've been beat up in my day and I know what it can do to you. Screws your head up. You lose your confidence. It's like riding a horse-"
    "No, it's not! I've been beaten up before-" I raised a hand, stopping myself with a shake of my head. "Sorry. I didn't meant to snap at you. I know you mean well, but this is mine to deal to spend another minute in this godforsaken place."
    "Well," he said, infusing the single syllable with skepticism. He paused, silent, hands in his pockets, rocking back on his heels. I zipped the duffel, picked up my jacket and my handbag, looking around the cabin. The table was stilled littered with my papers and I'd forgotten about the Smith-Carona, still sitting in it's place with the lid half closed. I snapped the cover into place and stuffed papers into a manila envelope that i shoved into an outer pocket of the duffel. Using my left hand, I lifted the typewriter case. "Thanks for the ride and thanks for breakfast."
    "I have to get on in to work, but you let me know if there's anything I can do to help."
    "You can carry this," I said, passing him the typewriter. He did me one better, carrying both the duffel and the Smith-Corona as he escorted me to the car. I waited until he pulled away and then I headed for the office and stuck my head into the door. There was no sign of of Cecilia. The usual table lamp was still on, but her door was shut and I imagined her catching up on the sleep she'd lost taking me to the emergency room. I got into my car and pulled out of the parking lot, turning left onto 395.
    I kept an eye on the odometer, clocking off a mile and then began to look for the spot where Tom's truck had been parked the night he died. As Tennyson indicated, it wasn't hard to find. Two massive boulders and a towering pine tree with the top missing. I could see the raw white inner wood where the lightning had slashed away at the trunk.
    I eased over onto the berm and parked. I got out of the car, draping my heavy leather jacket across my shoulders. There was no traffic at this hour and the morning air was silent. The sky was massed with dark gray, the mountains obscured by mist. Snow had begun to fall; big lacy flakes that settled on my face like a series of kisses. For a moment, I leaned my head back and let the snow touch my tongue.
    There was, of course, no remaining trace of vehicles having been parked here six weeks before. If the truck, Tennyson's patrol car, and the ambulance had chewed up the soil and gravel along the shoulder, nature had come afterward and smoothed away any suggestion of events. I did a grid search, my gaze fixed on the barren ground as I walked a linear pattern. I imagined Tom in his pickup, the pain like a knife wedged between his shoulder blades. Nausea, clamminess, the chill sweat of Death forcing him to concentrate. For the time being, I set aside the image of the woman walking down the road. For all I knew, she was a figment of James Tennyson's imagination, some piece of misdirection designed to throw me off. In any investigation, you have to be careful about accepting information without a touch of skepticism. I wasn't sure of his motivation. Maybe, as implied, he was just a genuinely helpful guy who took his job seriously and wanted to apprise me of his recollection. What interested me here was the