The Book of Air and Shadows

chamber & I listen close & heer the scrach of a pen & shift of paper & I think hee must write oure plaie of Mary now. My lord you ask can I overlook his papers to see what he doth write & I shall try it; but hee is verie close with hys papers & no onne is let see them til he be finished. I praye you my lord doeth well & all your howse prosper, from Stratford-upon-Avon the 19 th June 1611 bye your lordshipes most humble serv t Richard Bracegirdle

13
    I am reading a little Shakespeare now, in the intervals between sleeping, eating, and writing this thing. Mickey’s got a
Riverside
here, of course, not to mention any number of supplementary texts, lexicons, critical works, and so forth. Shall I add my own little bit of bird shit to Everest? I think not, although I have to say that Bracegirdle has given me a somewhat different take on the guy. As I’ve already said, I have had some commerce with creative types and I have indeed seen in them the same peculiar blankness that our Dick picked up in W.S. Like they’re talking to you and doing business and all but you get the feeling you’re talking not to a regular person but to a fictional character they made up? I just mean writers here; musicians are quite different, like large hairy children.
    It so happened, my little diary tells me, that I spent the next morning with a musician whose name you would undoubtedly know if you were rockin’ in the ’80s at all and this fellow had written at least fifteen Top Twenty songs, music and lyrics and (not having taken the precaution of consulting a good IP lawyer) had signed the copyright to these songs over to his label, in return for which the scumbag who owned the label gave him an advance of something like twenty-five grand. And gosh, the scumbag kept feeding him driblets of money, and of course the musician became famous and went on tours and made even more money, and flash forward twenty or so years, with his original group long dispersed and the crowds of fans with them, but the songs are now classics getting tons of airplay on every oldie station in the country and the label scumbag sells his copyrighted list to a media megacorp for close to a billion dollars and what is my guy’s share? Zip is what, the same as what he earns for all those zillions of oldie station plays, because, as practically no one understands, when you hear a song on the radio or TV the artist who’s singing the song gets nothing: only the copyright holder collects the ASCAP royalty.
    So I sat down with the megacorp people and they said that while they agreed my client had been screwed to the floorboards, they had just dropped a bundle on what was basically an industrial commodity and the fact that it had arisen from my client’s guts and heart was neither here nor there. The musician took it, I have to say, pretty well. He just grinned and expressed amazement that he’d thought up stuff out of his head that had transformed itself into this huge piece of property, upon which a vast commercial empire now rested, and that he’d have to content himself with all the pleasure he’d given to so many people. As I said, big hairy kids.
    In contrast to Shakespeare, who always had a good eye for the bottom line. Sure he sold
Hamlet
for ten pounds, maybe forty large in today’s money, but he sold it to himself, since he was a stockholder in the theatrical company that owned it, and he probably made a good deal more after old Dick Bracegirdle became his bookkeeper.
    I’m digressing again because this next part is really painful.
    After I had the bad-news meeting with the hairy former kid I went across town with Ed Geller and Shelly Grossbart to a monster cluster-fuck involving squadrons of lawyers, something that happens a lot nowadays when one media company proposes to buy another and I was there because I know a lot about foreign copyright law and it’s all too tedious to get into. The point is, however, that I was not at my best, because I was thinking about my lost Miranda and also about the poor schmuck of a musician. No one at the long polished table at which we sat was hairy, nor had any of them ever created anything that any normal person would wish to see or hear. Someone raised the issue of ring tones, and how the EU was going to handle them, and Ed looked at me, because I had done the most extensive work on this and I fumphered and gave what turned out to be the wrong answer and Shelly had to cover for me with an artful equivocation.
    In