The Gallaghers of Ardmore Trilogy
stood.
Those interested in such matters would find examples of ogham carving on the stones put for safekeeping inside the roofless cathedral, and Roman arcading faded with time and wind but still worth the study.
But the village itself made no attempt at such grandeur and was merely a pleasant place with a shop or two and a scatter of cottages built back away from lovely sand beaches.
The sign for Ardmore said failte , and that meant welcome.
It was that very combination of ancient history and simple character and hospitality that interested Trevor Magee.
His people had come from Ardmore and Old Parish. Indeed his grandfather had been born here, in a small house very near Ardmore Bay, had lived the first years of his life breathing that moist sea air, had perhaps held his mother’s hand as she’d walked to the shops or along the surf.
His grandfather had left his village and his country, taking his wife and young son with him to America. He had never been back, and as far as Trevor knew, had never looked back either. There had been a distance and a bitter one, between the old man and the country of his birth. Ireland and Ardmore and the family Dennis Magee had left behind had rarely been spoken of.
So Trevor’s image of Ardmore had a ripple of sentiment and curiosity through it, and his reasons for choosing it had a personal bent.
But he could afford personal bents.
He was a man who built, and who, as his grandfather and father before him, built cleverly and well.
His grandfather had made his living laying brick, and made his fortune speculating on properties during and after the Second World War, until the buying and selling of them was his business, and the building done by those he hired.
Old Magee had been no more sentimental about his laborer’s beginnings than he had been about his homeland. To Trevor’s recollection, the man had shown no sentiment about anything.
But Trevor had inherited the heart and hands of the builder as much as the cool, hard sense of the businessman, and had learned to use both.
He would use them both here, and a dash of sentiment as well, to build his theater, a traditional structure for traditional music, using as its entrance the already established pub known as Gallagher’s.
The deal with the Gallaghers had been set, the ground broken for the project before he’d been able to hack through his schedule for the time he wanted to spend here. But he was here now, and he intended to do more than sign checks and watch.
He wanted his hands in it.
A man could work up a good sweat even in May in such a temperate climate when he spent a morning hauling concrete. That morning Trevor left the cottage he’d decided to rent for the duration of his stay wearing a denim jacket and carrying a steaming mug of coffee. Now a handful of hours later, the jacket had been tossed aside and a thin line of damp ran front and back down his shirt.
He’d have paid a hundred pounds for one cold beer.
The pub was only a short walk through the construction rubble. He knew from stopping in the day before that it did a brisk business midday. But a man could hardly quench his thirst with a chilly Harp when he forbade his employees to drink on the job.
He rolled his shoulders, circled his neck as he scanned the site. The concrete truck let out its continual rumble, men shouted, relaying orders or acknowledging them. Job music, Trevor thought. He never tired of it.
That was a gift from his father. Learn from the ground up, had been Dennis Junior’s credo, and the thirdgeneration Magee had done just that. For more than ten years, fifteen if he counted the summers he’d sweated on construction sites, he’d learned just what went into the business of building.
The backaches and blood and aching muscles.
At thirty-two, he spent more time in boardrooms and meetings than on a scaffold, but he’d never lost the appreciation, or the satisfaction of swinging his own hammer.
He intended to indulge himself doing just that in Ardmore, in his theater.
He watched the small woman in a faded cap and battered boots, circle around, gesture as the wet concrete slid down the chute. She scrambled over sand and stone, used her shovel to rap the chute and alert the operator to stop, then waded into the muck with the other laborers to shovel and smooth.
Brenna O’Toole, Trevor thought, and was glad he’d followed his instincts there. Hiring her and her father as foremen on the project had been the right
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