The Kill Artist

angry-Rami could see it in his eyes-but there seemed to be a hint of a smile across his arid lips. What the hell is he smiling about? Chiefs aren't disturbed after midnight unless it's urgent or very bad news. Then Rami hit upon the reason: the Phantom of Tiberias simply was relieved he had been spared another sleepless night with no enemies to fight.
    Forty-five minutes later Shamron's armored Peugeot slipped into the underground garage of a cheerless office block looming over King Saul Boulevard in northern Tel Aviv. He stepped into a private elevator and rode up to his office suite on the top floor. Queen Esther, his long-suffering senior secretary, had left a fresh packet of cigarettes on the desk next to a thermos bottle of coffee. Shamron immediately lit a cigarette and sat down.
    His first action after returning to the service had been to remove the pompous Scandinavian furnishings of his predecessor and donate them to a charity for Russian émigrés. Now the office looked like the battlefield headquarters of a fighting general. It stressed mobility and function over style and grace. For his desk Shamron used a large, scarred library table. Along the wall opposite the window was a row of gunmetal file cabinets. On the shelf behind his desk was a thirty-year-old German-made shortwave radio. Shamron had no need for the daily summaries of the Office radio-monitoring department, because he spoke a half-dozen languages fluently and understood a half-dozen more. He could also repair the radio himself when it broke down. In fact, he could fix almost anything electronic. Once his senior staff had arrived for a weekly planning meeting to find Shamron peering into the entrails of Queen Esther's videocassette player.
    The only hint of modernity in the office was the row of large television sets opposite his desk. Using his remote controls, he switched them on one by one. He had lost the hearing in one ear, so he turned up the volume quite loud, until it sounded as if three men-a Frenchman, an Englishman, and an American-were having a violent row in his office.
    Outside, in the chamber between Esther's office and his own, Shamron's senior staff had gathered like anxious acolytes awaiting an audience with their master. There was the whippetlike Eli from Planning and the Talmudic Mordecai, the service's executive officer. There was Yossi, the genius from the Europe Desk who had read the Greats at Oxford, and Lev, the highly flammable chief of Operations, who filled his precious empty hours by collecting predatory insects. Only Lev seemed to have no physical fear of Shamron. Every few minutes he would thrust his angular head through the doorway and shout, "For God's sake, Ari! When? Sometime tonight, I hope!"
    But Shamron was in no particular hurry to see them, for he was quite certain he knew more about the terrible events that evening in Paris than they ever would.
    For one hour Shamron sat in his chair, stone-faced, smoking one cigarette after another, watching CNN International on one television, the BBC on another, French state television on the third. He didn't particularly care what the correspondents had to say-they knew next to nothing at this point, and Shamron knew he could put words in their mouths with one five-minute phone call. He wanted to hear from the witnesses, the people who had seen the assassination with their own eyes. They would tell him what he wanted to know.
    A German girl, interviewed on CNN, described the auto accident that preceded the assault: "There were two vehicles, a van of some sort, and a sedan. Maybe it was a Peugeot, but I can't be sure. Traffic on the bridge came to a standstill in a matter of seconds."
    Shamron used his remote to mute CNN and turn up the volume on the BBC. A taxi driver from the Ivory Coast described the killer: dark hair, well dressed, good-looking, cool. The killer had been with a girl on the bridge when the accident occurred: "A blond girl, a little heavy, a foreigner, definitely not French." But the taxi driver saw nothing else, because he took cover beneath the dashboard when the bomb went off and didn't look up again until the shooting stopped.
    Shamron removed a scuffed leather-bound notebook from his shirt pocket, laid it carefully on the desk, and opened it to a blank page. In his small precise hand he wrote a single word.
    GIRL .
    Shamron's gaze returned to the television. An attractive young Englishwoman called Beatrice was recounting the attack for a BBC