Body Double: A Rizzoli & Isles Novel
Maura. “Smears, spatter patterns.” She pointed to the block of granite with the iron ring. “Let’s start with that wall.”
“We’ll need a baseline photo first. Let me set up the tripod. Detective Corso, can you mount the ruler up on that wall right there? It’s luminescent. It’ll give us a frame of reference.”
Maura looked at Rizzoli. “You should go upstairs, Jane. They’re going to start mixing the Luminol. I don’t think you should be exposed to it.”
“I didn’t think it was that toxic.”
“Still, you shouldn’t take the chance. Not with the baby.”
Rizzoli sighed. “Yeah, okay.” Slowly she headed up the steps. “But I hate missing a light show.” The cellar door swung shut behind her.
“Man, shouldn’t she be on maternity leave already?” Yates said.
“She has another six weeks to go,” said Maura.
One of the techs laughed. “Like that woman cop in
Fargo,
huh? How do you chase down a perp when you’re that knocked up?”
Through the closed cellar door, Rizzoli yelled: “Hey, I may be knocked up, but I’m not deaf!”
“She’s also armed,” said Maura.
Detective Corso said, “Can we get started here?”
“There are masks and goggles in that box,” said Pete. “You all might want to pass those around.”
Corso handed a respirator and a pair of goggles to Maura. She slipped them on and watched as Gary began measuring chemicals.
“We’re going with a Weber prep,” he said. “It’s a little more sensitive, and I think it’s safer to use. This stuff is irritating enough on the skin and eyes.”
“Are those stock solutions you’re mixing?” asked Maura, her voice muffled through the mask.
“Yeah, we keep ’em stored in the lab refrigerator. Mix all three together in the field, along with distilled water.” He capped the jar and gave it a vigorous shake. “Anyone here wear contact lenses?”
“I do,” said Yates.
“Then you might want to step out, Detective. You’re gonna be more sensitive, even wearing those goggles.”
“No, I wanna watch.”
“Then stay back when we start spraying.” He gave the bottle one more swirl, then decanted the contents into a spray bottle. “Okay, we’re ready to rock. Let me snap a photo first. Detective, can you move away from that wall?”
Corso stepped to the side and Pete pressed the shutter release cable. The flash went off as the camera captured a baseline image of the wall they were about to spray with Luminol.
“You want the lights off now?” said Maura.
“Let Gary get in position first. Once it’s dark, we’re gonna be stumbling around here. So everyone just pick a spot and stay there, okay? Only Gary moves.”
Gary crossed to the wall and held up the spray bottle containing Luminol. With his goggles and mask, he looked like a pest exterminator, about to squirt some offending roach.
“Hit the lights, Dr. Isles.”
Maura reached out to the flood lamp beside her and switched it off, plunging the cellar into pitch blackness.
“Go ahead, Gary.”
They could hear the hiss of the spray bottle. Flecks of greenish-blue suddenly glowed in the darkness, like stars in the night sky. Now a ghostly circle appeared, seeming to float in the darkness, unattached. The iron ring.
“It may not be blood at all,” said Pete. “Luminol reacts with a lot of things. Rust, metals. Bleach solutions. That iron ring would probably glow anyway, whether there’s blood on it or not. Gary, can you move aside while I get this shot? This is going to be a forty-second exposure, so just stand tight.” When the shutter finally clicked, he said: “Lights, Dr. Isles.”
Maura fumbled in the darkness for the flood lamp switch. When the light came on, she was staring at the stone wall.
“What do you think?” asked Corso.
Pete shrugged. “Not too impressive. There’s going to be a lot of false positives down here. You’ve got soil staining all those rocks. We’ll try the other walls, but unless you see a handprint or a major splatter, it’s not going to be easy to pick up blood against this background.”
Maura noticed Corso glancing at his watch. It had been a long drive for both Maine state detectives, and she could see he was starting to wonder if this was a waste of time.
“Let’s keep going,” she said.
Pete moved the tripod and positioned his camera lens to focus on the next wall. He clicked off a flash photo, then said, “Lights.”
Again, the room went pitch black.
The spray bottle
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