Brave New Worlds
most part; and they are commonly treated as enemies by it.
Henry David Thoreau
CIVIL DISOBEDIENCE
That is the heart of it. Now begin in the middle, and later learn the beginning; the end will take care of itself.
But because it was the very world it was, the very world they had allowed it to become, for months his activities did not come to the alarmed attention of the Ones Who Kept the Machine Functioning Smoothly, the ones who poured the very best butter over the cams and mainsprings of the culture. Not until it had become obvious that somehow, someway, he had become a notoriety, a celebrity, perhaps even a hero for (what Officialdom inescapably tagged) "an emotionally disturbed segment of the populace," did they turn it over to the Ticktockman and his legal machinery. But by then, because it was the very world it was, and they had no way to predict he would happen—possibly a strain of disease long-defunct, now, suddenly, reborn in a system where immunity had been forgotten, had lapsed—he had been allowed to become too real. Now he had form and substance.
He had become a personality, something they had filtered out of the system many decades before. But there it was, and there he was, a very definitely imposing personality. In certain circles—middle-class circles—it was thought disgusting. Vulgar ostentation. Anarchistic. Shameful. In others, there was only sniggering: those strata where thought is subjugated to form and ritual, niceties, proprieties. But down below, ah, down below, where the people always needed their saints and sinners, their bread and circuses, their heroes and villains, he was considered a Bolivar; a Napoleon; a Robin Hood; a Dick Bong (Ace of Aces); a Jesus; a Jomo Kenyatta.
And at the top—where, like socially-attuned Shipwreck Kellys, every tremor and vibration threatening to dislodge the wealthy, powerful and titled from their flagpoles—he was considered a menace; a heretic; a rebel; a disgrace; a peril. He was known down the line, to the very heartmeat core, but the important reactions were high above and far below. At the very top, at the very bottom.
So his file was turned over, along with his time-card and his cardioplate, to the office of the Ticktockman.
The Ticktockman: very much over six feet tall, often silent, a soft purring man when things went timewise. The Ticktockman.
Even in the cubicles of the hierarchy, where fear was generated, seldom suffered, he was called the Ticktockman. But no one called him that to his mask.
You don't call a man a hated name, not when that man, behind his mask, is capable of revoking the minutes, the hours, the days and nights, the years of your life. He was called the Master Timekeeper to his mask. It was safer that way.
"This is what he is," said the Ticktockman with genuine softness, "but not who he is. This time-card I'm holding in my left hand has a name on it, but it is the name of what he is, not who he is. The cardioplate here in my right hand is also named, but not whom named, merely what named. Before I can exercise proper revocation, I have to know who This what is. "
To his staff, all the ferrets, all the loggers, all the finks, all the commex, even the mineez, he said, "Who is this Harlequin?"
He was not purring smoothly. Timewise, it was jangle.
However, it was The longest speech they had ever heard him utter at one time, the staff, the ferrets, the loggers, the finks, the commex, but not the mineez, who usually weren't around to know, in any case. But even they scurried to find out.
Who is the Harlequin?
High above the third level of the city, he crouched on the humming aluminum-frame platform of the air-boat (foof! air-boat, indeed! swizzleskid is what it was, with a tow-rack jerry-rigged) and he stared down at the neat Mondrian arrangement of the buildings.
Somewhere nearby, he could hear the metronomic left-right-left of the 2:47 PM shift, entering the Timkin roller-bearing plant in their sneakers. A minute later, precisely, he heard the softer right-left-right of the 5:00 AM formation, going home.
An elfin grin spread across his tanned features, and his dimples appeared for a moment. Then, scratching at his thatch of auburn hair, he shrugged within his motley, as though girding himself for what came next, and threw the joystick forward, and bent into the wind as the air-boat dropped. He skimmed over a slidewalk, purposely dropping a few feet to crease the tassels of the ladies of fashion,
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