Celebrity in Death

“But that wasn’t enough.”
    “What else?”
    “She wouldn’t apologize, wouldn’t agree to apologize to you or the others, and that just tipped it out for me. So I tossed in, because I was very angry, very embarrassed, that I’d see to it she never worked with my husband again, or with anyone else I have influence with. She should remember I have quite a lot of influence in the business.”
    Shuddering a little, she dashed a tear away. “I would have done it, too. I meant to do it.”
    “How did she take it?”
    “Initially? Not very well. She went off, telling me she was sick of being told what she could say, what she could do. She had plenty to say, and there was nothing anybody could do about it. Then she told me Marlo was giving Mason blow jobs between scenes.”
    “Did you believe her?”
    “K.T.’s a talented actor, drunk or sober,” Connie began. “Sober, she’s tolerable as a human being, can even be amusing. Drunk, she’s vicious, unreasonable, and occasionally violent. Most of that’s been covered up by various agents, managers, publicists, producers, so the public doesn’t have the full picture, so to speak.”
    “Was that an answer?”
    “It was the first part of one. I didn’t believe her drunken insults, no, because my husband isn’t a cheat, or a man who looks for bjs on the set from an actress he’s directing. Added to that, Marlo thinks more of herself than to stoop that way. She thinks more of me, and Mason.
    “The second part of the answer is Mason and I have been married a long time. And we have an understanding. If either of us falls out of love, we’re to be honest about it. If either of us just needs a break from the other, we take one. If either of us cheats—it’s done. No second chance.”
    “Sounds like a good policy.”
    “It’s worked very well for us.”
    “What was K.T.’s problem with Marlo, because it’s obvious she had one.”
    “All too obvious after that ugly remark at dinner. The bottom line?” Connie said, dry-eyed again. “K.T. was jealous of Marlo, disliked her for many reasons. Her looks, her talent, her charm, her popularity with not only fans but other industry professionals. I think K.T. took a slap at you because you’re who Marlo is during this project. So what she feels for Marlo, she feels—felt—for you. I can’t get my tenses straight.”
    She paused, pressed a hand to her mouth. “Past, present. It gets mixed up. I don’t know how to deal with this.”
    “You’re doing fine.” Eve wound her through the evening as Mira came back in.
    “God. Thank you,” Connie said as Mira set a cup of coffee in front of her.
    “Your husband added a splash of brandy.”
    “He knows me.”
    “Do you remember seeing K.T. leave the theater?” Eve asked her. “Or anyone else leave during the screen show?”
    “I’d seen the gag reel, so I slipped out during the opening credits, went in to talk to the caterers. I was in the kitchen for a little while.” As she sipped the coffee, Connie creased her forehead. “I came in toward the end, slipped over to the buffet to make sure we had enough out for post-screening. I didn’t see anyone go in or come out as I did.”
    “What about when the lights came up? Was everyone there?”
    “K.T. wasn’t. I know that because I’d been keeping an eye on her. She’d been drinking too much, and I didn’t want another scene. I’d planned on getting her out, into a car, and gone, but she wasn’t in the theater.”
    “Was anyone else missing?”
    “I’m not sure. My focus was on her because of what happened earlier, and the way she’d been stewing. I wasn’t going to risk another scene. I started to go out, see if she’d gone home or was still in the house, but Valerie waylaid me. She wanted a list of the desserts for a story she wanted to pitch on the evening. Then Nadine came up, and we started talking. I let it go.”
    Eve caught sight of Roarke, gave him a subtle signal to come in.
    “Sorry to interrupt.”
    “It’s okay. We’re good here for now, Connie. I’ll send for someone else in just a minute.”
    “Your sweepers and the morgue team arrived,” Roarke told Eve when he was alone with her and Mira. “They went up to the roof.”
    “Let’s move this along. Tell Peabody I want her to take Roundtree, Dennis Mira, and the publicist, in any order, in some other location. That leaves me with Andrea Smythe and the asshole producer and Nadine. We’ll take Julian together last.