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Children of the Mind (Ender, Book 4) (Ender Quartet)

Children of the Mind (Ender, Book 4) (Ender Quartet)

Titel: Children of the Mind (Ender, Book 4) (Ender Quartet) Kostenlos Bücher Online Lesen
Autoren: Orson Scott Card
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deep thoughts while riding on a hovercar back on Lusitania, sure, I could reason out that Jane in Val would be Jane and Val. But when you come right down to it, I can't say that --"
    "Shut up," said Val.
    It wasn't like her to talk like that. Miro shut up.
    "No more words like that," she said. "What I need from you is the words that will let me give up this body."
    Miro shook his head.
    "Put your money where your mouth is," she said. "Walk the walk. Talk the talk. Put up or shut up. Fish or cut bait."
    He knew what she wanted. He knew that she was saying that the only thing holding her to this body, to this life, was him. Was her love for him. Was their friendship and companionship. There were others here now to do the work of translation -- Miro could see now that this was the plan, really, all along. To bring Ela and Quara so that Val could not possibly consider her life as indispensable. But Miro, she couldn't let go of him that easily. And she had to, had to let go.
    "Whatever aiúa is in that body," Miro said, "you'll remember everything I say."
    "And you have to mean it, too," said Val. "It has to be the truth."
    "Well it can't be," said Miro. "Because the truth is that I --"
    "Shut up!" demanded Val. "Don't say that again. It's a lie!"
    "It's not a lie."
    "It's complete self-deception on your part, and you have to wake up and see the truth, Miro! You already made the choice between me and Jane. You're only backing out now because you don't like being the kind of man who makes that sort of ruthless choice. But you never loved me, Miro. You never loved me . You loved the companionship, yes -- the only woman you were around, of course; there's a biological imperative playing a role here with a desperately lonely young man. But me ? I think what you loved was your memory of your friendship with the real Valentine when she came back with you from space. And you loved how noble it made you feel to declare your love for me in the effort to save my life, back when Ender was ignoring me. But all of that was about you, not me. You never knew me, you never loved me. It was Jane you loved, and Valentine, and Ender himself, the real Ender, not this plastic container that he created in order to compartmentalize all the virtues he wishes he had more of."
    The nastiness, the rage in her was palpable. This wasn't like her at all. Miro could see that the others were also stunned. And yet he also understood. This was exactly like her -- for she was being hateful and angry in order to persuade herself to let go of this life. And she was doing that for the sake of others. It was perfect altruism. Only she would die, and, in exchange, perhaps the others in this ship would not die, they'd go back home when their work here was done. Jane would live, clothed in this new flesh, inheriting her memories. Val had to persuade herself that the life that she was living now was worthless, to her and everyone else; that the only value to her life would be to leave it.
    And she wanted Miro to help her. That was the sacrifice she asked of him. To help her let go. To help her want to go. To help her hate this life.
    "All right," said Miro. "You want the truth? You're completely empty, Val, and you always were. You just sit there spouting the exactly kindest thing, but there's never been any heart in it. Ender felt a need to make you, not because he actually has any of the virtues you supposedly represent, but because he doesn't have them. That's why he admires them so much. So when he made you, he didn't know what to put inside you. An empty script. Even now, you're just following the script. Perfect altruism my ass. How can it be a sacrifice to give up a life that was never a life?"
    She struggled for a moment, and a tear flowed down her cheek. "You told me that you loved me."
    "I was sorry for you. That day in Valentine's kitchen, all right? But the truth is I was probably just trying to impress Valentine. The other Valentine. Show her what a good guy I am. She actually has some of those virtues -- I care a lot about what she thinks of me. So ... I fell in love with being the kind of guy who was worthy of Valentine's respect. That's as close to loving you as I ever got. And then we found out what our real mission was and suddenly you aren't dying anymore and here I am, stuck with having said I loved you and now I've got to keep going and going to maintain the fiction even as it becomes clearer and clearer that I miss Jane, I miss her so

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