Dog Blood

the gut as he tries to barge past me and nearly sends me flying. I glance back and watch as he tumbles down the stairs, rolling over and over until he lands in a bloody, groaning heap at the very bottom.
    I start checking the rooms on the second floor, but they’re empty. I’m halfway along the hall when a door flies open and three terrified Unchanged men come sprinting out, carrying as many bags and boxes of belongings as they can manage between them. They can’t see me over everything they’re carrying, and one of them knocks me to the ground. Instinctively I get up and start running after them, but it’s too late and they’re already gone. Doesn’t matter. Have to concentrate. Have to focus. Let them go.
    The next three doors are open, and the rooms are empty. They’re foul, squalid places, full of the residue of the refugees who’ve been forced to live here together for weeks on end. The carpets are covered with a layer of waste and abandoned belongings, so deep that I don’t see the curled-up body of an elderly man until I feel the fingers of his outstretched hand crack under my boot.
    Back out in the hall, I force myself to slow down. Need to try to apply some logic here. The hotel’s emptying, so there’s no point checking any of the vacant rooms. If any of the doors aren’t locked, I decide, there’s no one there.
    I start hacking at the lock and hinges of the next door I find that’s still shut. I can already hear the bastards inside the room screaming with panic. I keep working on the door, shoulder-charging it open when I’ve done enough damage to loosen the latch. One of the occupants runs at me, brandishing a chair leg. I sidestep him, then shove him across the hall, sending him crashing into the wall opposite. There are three other Unchanged in the room, with a fourth trying to get out through an open window. The light’s low, but I see enough to know that I don’t recognize any of them and they’re of no interest. I turn and head back out to the hallway, pausing only to knife the fucker who comes back at me for a second go with the chair leg.
    The lock on the door of the next room is broken, but it’s held on a chain. It opens just far enough for me to see inside. No sign of Lizzie. A gray-haired woman grabs hold of the door handle and pulls it shut, snatching it from my hands. Another room empties as I approach, and this time I just press myself back against the wall and let two more sobbing Unchanged stumble past.
    Almost all of the third floor is empty, and Lizzie’s not in any of the rooms that are still occupied. In a room near the staircase on the fourth floor I find a small girl sitting alone in an armchair that dwarfs her tiny shape. In my haste and desperation I think for a second that it might be Ellis. It’s dark, the dull dawn light just beginning to seep in through the cracks between the wooden boards that have been nailed across the window. It’s only when I touch the girl and she slumps out of the chair that I see it isn’t Ellis, and it’s only when she lies at my feet and doesn’t move again that I realize she’s already dead, abandoned by whoever she was with.
    The door to the last room on this floor is open slightly, but it slams shut as I run toward it. I shove it open before it’s locked. Three Unchanged women and a man begin shouting and screaming at me in a language I don’t understand. Sounds like Polish or Russian or something… I turn and leave, and one of them follows me back out into the corridor, still shouting. She grabs hold of my legs, pleading with me for help. I kick her off and keep moving.
    Top floor. Running out of options.
    There are more locked doors up here than I’ve got time for. I stop outside the first. I can hear voices inside, so I start chopping at the lock with my axe, my arms beginning to feel heavy and numb with effort. The rotten wood splinters easily, and the door flies open, but Lizzie’s not here, and I move on. I can feel their relief when I turn my back. The door slams shut, and I hear them shoving furniture up against it to seal themselves in.
    Two doors facing each other are both shut. I jump the sprawled-out body of a Chinese man and press myself up against the first of them. I can hear a man’s voice ranting in Urdu or Punjabi or similar, so I immediately turn my attention to the other and start chopping at the wood around the latch. I stop for a second when I hear another deafening explosion outside, a flash