Gone Tomorrow

moving slow in the heat, and partly because it had been a short lunch. Which I guessed made sense. Sansom’s Wall Street audience wanted to spend maximum time making money and minimum time giving it away. I didn’t make it onto the same Amtrak as him, either. I missed a D.C. train by five minutes, which meant I trailed him back to the capital a whole hour and a half in arrears.
    The same guard was on duty at the Cannon Building’s door. He didn’t recognize me. But he let me in anyway, mainly because of the Constitution. Because of the First Amendment in the Bill of Rights. Congress shall make no law abridging the right of the people to petition the Government . My pocket junk inched through an X-ray machine and I stepped through a metal detector and was patted down even though I knew the light had flashed green. There was a gaggle of House pages inside the lobby and one of them called ahead and then walked me to Sansom’s quarters. The corridors were wide and generous and confusing. The individual offices seemed small but handsome. Maybe they had once been large and handsome, but now they were broken up into reception anterooms and multiple inner spaces, partly for senior staff to use, I guessed, and partly to make eventual labyrinthine access to the big guy seem more of a gift than it really was.
    Sansom’s place looked the same as all the others. A door off the corridor, lots of flags, lots of eagles, some oil paintings of old guys in wigs, a reception desk with a young woman behind it. Maybe a staffer, maybe an intern. Springfield was leaning on the corner of her desk. He saw me and nodded without a smile and pushed off the desk and came to the door to meet me and jerked his thumb farther along the corridor.
    “Cafeteria,” he said.
    We got there down a flight of stairs. It was a wide low room full of tables and chairs. Sansom was nowhere in it. Springfield grunted like he wasn’t surprised and concluded that Sansom had returned to his office while we were out looking for him, by an alternate route, possibly via a colleague’s billet. He said the place was a warren and that there were always conversations to be had and favors to be sought and deals to be struck and votes to be traded. We walked back the same way we had come and Springfield stuck his head around an inner door and then backed away and motioned me inside.
    Sansom’s inner office was a rectangular space larger than a closet and smaller than a thirty-dollar motel room. It had a window and paneled walls covered with framed photographs and framed newspaper headlines and souvenirs on shelves. Sansom himself was in a red leather chair behind a desk, with a fountain pen in his hand and a whole lot of papers spread out in front of him. He had his jacket off. He had the weary, airless look of a man who had been sitting still for a long time. He hadn’t been out. The cafeteria detour had been a charade, presumably designed to allow someone to make an exit without me seeing him. Who, I didn’t know. Why, I didn’t know. But I sat down in the visitor chair and found it still warm from someone else’s body. Behind Sansom’s head was a large framed print of the same picture I had seen in his book. Donald Rumsfeld and Saddam Hussein, in Baghdad. Sometimes our friends become our enemies, and sometimes our enemies become our friends . Next to it was a cluster of smaller pictures, some of Sansom standing with groups of people, some of him alone and shaking hands and smiling with other individuals. Some of the group shots were formal, and some were of wide smiles and confetti-strewn stages after election victories. I saw Elspeth in most of them. Her hair had changed a lot over the years. I saw Springfield in some of the others, his small wary shape easily recognizable even though the images were tiny. The two-shots were what news photographers call grip-and-grins. Some of the individuals in them I recognized, and some I didn’t. Some had autographed the pictures with extravagant dedications, and some hadn’t.
    Sansom said, “So?”
    I said, “I know about the DSM in March of 1983.”
    “How?”
    “Because of the VAL Silent Sniper. The battleaxe I told you about is the widow of the guy you took it from. Which is why you reacted to the name. Maybe you never heard of Lila Hoth or Svetlana Hoth, but you met with some other guy called Hoth back in the day. That’s for damn sure. It was obvious. You probably took his dog tags and had them translated.