Hateship, Friendship, Courtship, Loveship, Marriage

fashionable place of residence, in the West End of Vancouver. Curtains of yellowed lace, high ceilings, perhaps an iron grill over part of the window, a fake balcony. Nothing actually dirty or disreputable, just an atmosphere of long accommodation of private woes and sins. There she would have to cross the little lobby with head bowed and arms clinging to her sides, her whole body permeated by exquisite shame. And he would speak to the desk clerk in a low voice that did not advertise, but did not conceal or apologize for, their purpose.
    Then the ride in the old-fashioned cage of the elevator, run by an old man—or perhaps an old woman, perhaps a cripple, a sly servant of vice.
    Why did she conjure up, why did she add that scene? It was for the moment of exposure, the piercing sense of shame and pride that took over her body as she walked through the (pretend) lobby, and for the sound of his voice, its discretion and authority speaking to the clerk the words that she could not quite make out.
    That might have been his tone in the drugstore a few blocks away from the apartment, after he had parked the car and said, “Just a moment in here.” The practical arrangements which seemed heavy-hearted and discouraging in married life could in these different circumstances provoke a subtle heat in her, a novel lethargy and submission.

    After dark she was carried back again, driven through the park and across the bridge and through West Vancouver, passing only a short distance from the house of Jonas’s parents. She arrived at Horseshoe Bay at almost the very last moment, and walked onto the ferry. The last days of May are among the longest of the year, and in spite of the ferry-dock lights and the lights of the cars streaming into the belly of the boat, she could see some glow in the western sky and against it the black mound of an island—not Bowen but one whose name she did not know—tidy as a pudding set in the mouth of the bay.
    She had to join the crowd of jostling bodies making their way up the stairs, and when the passenger deck was reached she sat in the first seat she saw. She did not even bother as she usually did to look for a seat next to a window. She had an hour and a half before the boat docked on the other side of the strait, and during this time she had a great deal of work to do.
    No sooner had the boat started to move than the people beside her began to talk. They were not casual talkers who had met on the ferry but friends or family who knew each other well and would find plenty to say for the entire crossing. So she got up and went out on deck, climbed to the top deck, where there were always fewer people, and sat on one of the bins that contained life preservers. She ached in expected and unexpected places.
    The job she had to do, as she saw it, was to remember everything—and by “remember” she meant experience it in her mind, one more time—then store it away forever. This day’s experience set in order, none of it left ragged or lying about, all of it gathered in like treasure and finished with, set aside.
    She held on to two predictions, the first one comfortable, and the second easy enough to accept at present, though no doubt it would become harder for her, later on.
    Her marriage with Pierre would continue, it would last.
    She would never see Asher again.
    Both of these turned out to be right. Her marriage did last—for more than thirty years after that, until Pierre died. During an early and fairly easy stage of his illness, she read aloud to him, getting through a few books that they had both read years ago and meant to go back to. One of these was Fathers and Sons . After she had read the scene in which Bazarov declares his violent love for Anna Sergeyevna, and Anna is horrified, they broke off for a discussion. (Not an argument—they had grown too tender for that.)
    Meriel wanted the scene to go differently. She believed that Anna would not react in that way.
    “It’s the writer,” she said. “I don’t usually ever feel that with Turgenev, but here I feel it’s just Turgenev coming and yanking them apart and he’s doing it for some purpose of his own.”
    Pierre smiled faintly. All his expressions had become sketchy.
    “You think she’d succumb?”
    “No. Not succumb. I don’t believe her, I think she’s as driven as he is. They’d do it.”
    “That’s romantic. You’re wrenching things around to make a happy ending.”
    “I didn’t say anything about the