Hideaway
voice had been one of the strangest things he had ever experienced. And he was not exactly without a store of strange experiences with which to compare it.
He got out of his silver Camaro, slammed the door, and walked to the club entrance. The rain was cold. In the blustering wind, the fronds of the palm trees rattled like old bones.
15
Lindsey Harrison was also on the fifth floor, at the far end of the main corridor from her husband. Little of the room was revealed when Jonas entered and approached the side of the bed, for there was not even the green light from a cardiac monitor. The woman was barely visible.
He wondered if he should try to wake her, and was surprised when she spoke:
“Who're you?”
He said, “I thought you were asleep.”
“Can't sleep.”
“Didn't they give you something?”
“It didn't help.”
As in her husband's room, the rain drove against the window with sullen fury. Jonas could hear torrents cascading through the confines of a nearby aluminum downspout.
“How do you feel?” he asked.
“How the hell do you think I feel?” She tried to infuse the words with anger, but she was too exhausted and too depressed to manage it.
He put down the bed railing, sat on the edge of the mattress, and held out one hand, assuming that her eyes were better adapted to the gloom than his were. “Give me your hand.”
“Why?”
“I'm Jonas Nyebern. I'm a doctor. I want to tell you about your husband, and somehow I think it'll be better if you'll just let me hold your hand.”
She was silent.
“Humor me,” he said.
Although the woman believed her husband to be dead, Jonas did not mean to torment her by withholding his report of the resuscitation. From experience, he knew that good news of this sort could be as shocking to the recipient as bad news; it had to be delivered with care and sensitivity. She had been mildly delirious upon admission to the hospital, largely as a result of exposure and shock, but that condition had been swiftly remedied with the administration of heat and medication. She had been in possession of all her faculties for a few hours now, long enough to absorb her husband's death and to begin to find her way toward a tentative accommodation of her loss. Though deep in grief and far from adjusted to her widowhood, she had by now found a ledge on the emotional cliff down which she had plunged, a narrow perch, a precarious stability—from which he was about to knock her loose.
Still, he might have been more direct with her if he'd been able to bring her unalloyed good news. Unfortunately, he could not promise that her husband was going to be entirely his former self, unmarked by his experience, able to reenter his old life without a hitch. They would need hours, perhaps days, in which to examine and evaluate Harrison before they could hazard a prediction as to the likelihood of a full recovery. Thereafter, weeks or months of physical and occupational therapy might lie ahead for him, with no guarantee of effectiveness.
Jonas was still waiting for her hand. At last she offered it diffidently.
In his best bedside manner, he quickly outlined the basics of resuscitation medicine. When she began to realize why he thought she needed to know about such an esoteric subject, her grip on his hand suddenly grew tight.
16
In room 518, Hatch foundered in a sea of bad dreams that were nothing but disassociated images melding into one another without even the illogical narrative flow that usually shaped nightmares. Wind-whipped snow. A huge Ferris wheel sometimes bedecked with festive lights, sometimes dark and broken and ominous in a night seething with rain. Groves of scarecrow trees, gnarled and coaly, stripped leafless by winter. A beer truck angled across a snowswept highway. A tunnel with a concrete floor that sloped down into perfect blackness, into something unknown that filled him with heart-bursting dread. His lost son, Jimmy, lying sallow-skinned against hospital sheets, dying of cancer. Water, cold and deep, impenetrable as ink, stretching to all horizons, with no possible escape. A naked woman, her head on backwards, hands clasping a crucifix …
Frequently he was aware of a faceless and mysterious figure at the perimeter of the dreamscapes, dressed in black like some grim reaper, moving in such fluid harmony with the shadows that he might have been only a shadow himself. At other times, the reaper was not part of the scene but seemed to be the viewpoint
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