Hideaway

wished he had not ordered a drink.
    No dance music was provided on Monday nights, but a pianist was at work in one corner. He played neither gutless renditions of '30s and '40s songs nor the studiedly bland arrangements of easy-listening rock-'n'-roll that rotted the brains of regular lounge patrons. But he spun out the equally noxious repetitive melodies of New Age numbers composed for those who found elevator music too complex and intellectually taxing.
    Vassago preferred music with a hard beat, fast and driving, something that put his teeth on edge. Since becoming a citizen of the borderland, he could not take pleasure in most music, for its orderly structures irritated him. He could tolerate only music that was atonal, harsh, unmelodious. He responded to jarring key changes, thunderously crashing chords, and squealing guitar riffs that abraded the nerves. He enjoyed discord and broken patterns of rhythm. He was excited by music that filled his mind with images of blood and violence.
    To Vassago, the scene beyond the big windows, because of its beauty, was as displeasing as the lounge music. Sailboats and motor yachts crowded one another at the private docks along the harbor. They were tied up, sails furled, engines silent, wallowing only slightly because the harbor was well protected and the storm was not particularly ferocious. Few of the wealthy owners actually lived aboard, regardless of the size of the craft or amenities, so lights glowed at only a few of the portholes. Rain, here and there transmuted into quicksilver by the dock lights, hammered the boats, beaded on their brightwork, drizzled like molten metal down their masts and across their decks and out of their scuppers. He had no tolerance for prettiness, for postcard scenes of harmonious composition, because they seemed false, a lie about what the world was really like. He was drawn, instead, to visual discord, jagged shapes, malignant and festering forms.
    With its plush chairs and low amber lighting, the lounge was too soft for a hunter like him. It dulled his killing instincts.
    He surveyed the patrons, hoping to spot an object of the quality suitable for his collection. If he saw something truly superb that excited his acquisitional fever, even the stultifying atmosphere would not be able to sap his energy.
    A few men sat at the bar, but they were of no interest to him. The three men in his collection had been his second, fourth, and fifth acquisitions, taken because they had been vulnerable and in lonely circumstances that allowed him to overpower them and take them away without being seen. He had no aversion to killing men, but preferred women. Young women. He liked to get them before they could breed more life.
    The only really young people among the customers were four women in their twenties who were seated by the windows, three tables away from him. They were tipsy and a little giddy, hunched over as if sharing gossip, talking intently, periodically bursting into gales of laughter.
    One of them was lovely enough to engage Vassago's hatred of beautiful things. She had enormous chocolate-brown eyes, and an animal grace that reminded him of a doe. He dubbed her “Bambi.” Her raven hair was cut into short wings, exposing the lower halves of her ears.
    They were exceptional ears, large but delicately formed. He thought he might be able to do something interesting with them, and he continued to watch her, trying to decide if she was up to his standards.
    Bambi talked more than her friends, and she was the loudest of the group. Her laugh was the loudest, as well, a jackass braying. She was exceptionally attractive, but her incessant chatter and annoying laughter spoiled the package. Clearly, she loved the sound of her own voice.
    She'd be vastly improved, he thought, if she were to be stricken deaf and mute.
    Inspiration seized him, and he sat up straighter in his chair. By removing her ears, tucking them into her dead mouth, and sewing her lips shut, he would be neatly symbolizing the fatal flaw in her beauty. It was a vision of such simplicity, yet such power, that—
    “One rum and Coke,” the waitress said, putting a glass and paper cocktail napkin on the table in front of Vassago. “You want to run a tab?”
    He looked up at her, blinking in confusion. She was a stout middle-aged woman with auburn hair. He could see her quite clearly through his sunglasses, but in his fever of creative excitement, he had difficulty placing her.
    Finally