Hideaway
and cyanide, and she didn't drink either one of those, which showed she had more than her share of self-control when it came to destructive dietary habits; hell, she was an absolute rock!
By the time she got up to her second-floor studio with a mug and a full thermos besides, the light coming through the north-facing windows was perfect for her purposes. She had everything she needed. She had her paints, brushes, and palette knives. She had her supply cabinet. She had her adjustable stool and her easel and her stereo system with stacks of Garth Brooks, Glenn Miller, and Van Halen CDs, which somehow seemed the right mix of background music for a painter whose style was a combination of neoclassicism and surrealism. The only things she didn't have were an interest in the work at hand and the ability to concentrate.
She was repeatedly diverted by a glossy black spider that was exploring the upper right-hand corner of the window nearest to her. She didn't like spiders, but she was loath to kill them anyway. Later, she would have to capture it in a jar to release it outside. It crept upside down across the window header to the left-hand corner, immediately lost interest in that territory, and returned to the right-hand corner, where it quivered and flexed its long legs and seemed to be taking pleasure from some quality of that particular niche that was apprehensible only to spiders.
Lindsey turned to her painting again. Nearly complete, it was one of her best, lacking only a few refining touches.
But she hesitated to open paints and pick up a brush because she was every bit as devoted a worrier as she was an artist. She was anxious about Hatch's health, of course—both his physical and mental health. She was apprehensive, too, about the strange man who had killed the blonde, and about the eerie connection between that savage predator and her Hatch.
The spider crept down the side of the window frame to the right-hand corner of the sill. After using whatever arachnid senses it possessed, it rejected that nook, as well, and returned once more to the upper right-hand corner.
Like most people Lindsey considered psychics to be good subjects for spooky movies but charlatans in real life. Yet she had been quick to suggest clairvoyance as an explanation for what had been happening to Hatch. She had pressed the theory more insistently when he had declared that he was not psychic.
Now, turning away from the spider and staring frustratedly at the unfinished canvas before her, she realized why she had become such an earnest advocate of the reality of psychic power in the car on Friday, when they had followed the killer's trail to the head of Laguna Canyon Road. If Hatch had become psychic, eventually he would begin to receive impressions from all sorts of people, and his link to this murderer would not be unique. But if he was not psychic, if the bond between him and this monster was more profound and infinitely stranger than random clairvoyant reception, as he insisted that it was, then they were hip-deep into the unknown. And the unknown was a hell of a lot scarier than something you could describe and define.
Besides, if the link between them was more mysterious and intimate than psychic reception, the consequences for Hatch might be psychologically disastrous. What mental trauma might result from being even briefly inside the mind of a ruthless killer? Was the link between them a source of contamination, as any such intimate biological link would have been? If so, perhaps the virus of madness could creep across the ether and infect Hatch.
No. Ridiculous. Not her husband. He was reliable, levelheaded, mellow, as sane a human being as any who walked the earth.
The spider had taken possession of the upper right-hand corner of the window. It began to spin a web.
Lindsey remembered Hatch's anger last night when he had seen the story about Cooper in the newspaper. The hardness of rage in his face. The unsettling fevered look in his eyes. She had never seen Hatch like that. His father, yes, but never him. Though she knew he worried that he might have some of his father in him, she had never seen evidence of it before. And maybe she had not seen evidence of it last night, either. What she had seen might be some of the rage of the killer leaking back into Hatch along the link that existed between them—
No. She had nothing to fear from Hatch. He was a good man, the best she had ever met. He was such a deep well of goodness
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