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Mistress of Justice

Mistress of Justice

Titel: Mistress of Justice Kostenlos Bücher Online Lesen
Autoren: Jeffery Deaver
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to do with his name—appending it to theirs had been the price for both the colonel and his fat clients. Nothing of the bargain was in writing but after his death the remaining partners kept their word; the firm would forever be known as a triumvirate.
    By the time the mantles passed, in the late 1920s, Hubbard, White & Willis had grown to thirty-eight attorneys and had moved into its cherished Equitable Building. Banking, corporate law, securities and litigation made up the bulk of the work, which was still performed as it had been in the nineteenth century—by gentlemen, and a certain type of gentleman only. Attorneys seeking work who were in fact or by appearance Jewish, Italian or Irish were interviewed with interest and cordiality and were never offered positions.
    Women were always welcome—good stenographers being hard to find.
    The firm continued to grow, occasionally spinning off satellite firms or political careers (invariably Republican). Several attorneys general issued from Hubbard, White & Willis, as did an SEC commissioner, a senator, two governors and a vice president of the United States. Yet the firm, unlike many of its size and prestige on Wall Street, wasn’t a major political breeding ground. It was common knowledge that politics was power without money and the partners at Hubbard, White saw no reason to forsake one reward of Wall Street practice when they could have both.
    The present-day Hubbard, White & Willis had over two hundred fifty attorneys and four hundred support employees, placing it in the medium-sized category of Manhattan firms. Of the eighty-four partners, eleven were women, seven were Jewish (including four of the women), two were Asian-American and three were black (one of whom was, to the great delight of the EEOC-conscious executive committee, Latino as well).
    Hubbard, White & Willis was now big business. Overhead ran $3 million a month and the partners had upped the billing rates considerably higher than the small change charged by Frederick Hubbard. An hour of a partner’s time could hit $650 and in big transactions a premium (referred to by associates as a no-fuck-up bonus) of perhaps $500,000 would be added to the client’s final tab.
    Twenty-five-year-old associates fresh out of law school made around $100,000 a year.
    The firm had moved from sooty limestone into glass and metal and now occupied four floors in a skyscraper near the World Trade Center. An interior designer had been paid a million dollars to awe clients with dramatic understatement. The theme was lavender and burgundy and sea blue, rich stone, smoky glass, brushed metal and dark oak. Spiral marble staircases connected the floors, and the library was a three-story atrium with fifty-foot windows offering a stunning view of New York Harbor. The firm’s art collection was appraised at close to fifty million dollars.
    Within this combination MOMA and
Interior Design
centerfold, Conference Room 16–2 was the only one large enough to hold all of the partners of the firm. This Tuesday morning, though, only two men were sitting here, at the end of a U-shaped conference table surfaced with dark red marble and edged in rosewood.
    Amid an aroma of baseboard heat and brewing coffee they together read a single sheet of paper, gazing at it like next of kin identifying a body.
    “Lord, I can’t believe this.” Donald Burdick, the man pinning the sheet to the table, had been the head of the firm’s executive committee for the past eight years. At sixty-seven he was lean and had sleek gray hair trimmed short by a barber who visited Burdick’s office fortnightly, the old Italian brought to the firm in the partner’s Rolls Royce—“fetched,” as Burdick said.
    People often described the partner as dapper but this was offered only by those who didn’t know him well. “Dapper” suggested weakness and a lack of grit and DonaldBurdick was a powerful man, more powerful than his remarkable resemblance to Laurence Olivier and his suede-glove manners suggested.
    His was a power that could not be wholly quantified—it was an amalgam of old money and old friends in strategic places and old favors owed. One aspect of his power, however, did lend itself to calculation: the enigmatic formula of partnership interest in Hubbard, White & Willis. Which was not in fact so mysterious at all if you remembered that the votes you got to cast and the income you took home varied according to the number of clients you

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