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Q Is for Quarry

Q Is for Quarry

Titel: Q Is for Quarry Kostenlos Bücher Online Lesen
Autoren: Sue Grafton
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food you could stuff yourself with twenty-four hours a day. Just the sight of it's enough to make your ulcers perforate. I hate being cooped up, and I was worried I'd be stranded with a bunch of fools. Does that sound unreasonable?"
    "You think it was a cruise she wanted or just a trip someplace?" Dolan turned and gave me a look. "I never thought to ask."
    I got back to my place at 2:45 A.M. and then slept restlessly until 10:00. The Santa Teresa County Jail is housed in a 25,000 square-foot building, two-stories, 120 beds, designed to be staffed by only two corrections officers, one of whom monitors the state-of-the-art security panel with its bank of television screens.
    Still feeling half-dead from lack of sleep, I pulled the VW into one of the slots out front and went through the main entrance doors, where I picked up a copy of the visitation request form. I filled in my name and gave it to the clerk at the counter, then hung out in the lobby area while the word went down to Pudgie that he had a visitor. I could picture his puzzlement, as I was reasonably certain he'd never heard of me. Curiosity (or boredom) must have gotten the better of him because the clerk returned and said he'd agreed to see me. She gave me the booth number where I could meet him.
    Ten of us entered the elevator: two lone women and three mothers with assorted small kids. I pressed DOWN, wondering if I looked like the sort of person who'd have a boyfriend in jail. The elevator descended by inches while we all secretly worried about getting stuck. Once the doors opened on the floor below, we spilled into a room that was probably twenty feet by twenty. Molded beige and gray plastic armchairs, chunky and square, were arranged in a double row down the middle of the room, with additional seats around the perimeter. The floor was a glossy beige vinyl tile. The walls were cinder block, painted a matte two-tone beige. A posted sign read KEEP FEET OFF WALL, though there was nothing to suggest how one might accomplish violating such a... well, feat. In the visitors room, eight stationary stools, with a handset at each place, were lined up on either side of a large glass-enclosed aisle. I sat down and placed my shoulder bag at my feet. I rested my elbows on the counter, feeling as if I were seated at the lunch counter of an old five-and-dime.
    I knew from the police report that Pudgie was born Cedric Costello Clifton in 1950, the same year I was. He had a birthday coming up, June 7, so I'd aced him by a month and two days. The door opened on the jail side and a few inmates straggled in on the other side of the glass, hands linked behind their backs, a requirement any time they were moved from place to place. Pudgie appeared and took a seat on a stool that was a match for mine. His face was moon-shaped, and he wore glasses with big round frames perched on a surprisingly dainty nose. His facial hair was disorganized-rough mustache and a beard that ran from patchy to thick as it drifted across his cheeks. There were miscellaneous whiskers scattered almost to his eyes. His dark hair looked jangled, a texture that on a woman would be attributed to a bad home permanent. He wore the usual jail garb: a white T-shirt, blue cotton elastic-waisted pants, and rubber shoes. I've seen similar outfits on surgical residents in the corridors of St. Terry's. He was bulky through the shoulders, his chest and biceps bulging from years of pumping iron. The hair on his left forearm only partially masked an entire gallery of elaborate tattoos: a spiderweb, a skull wearing a sombrero, and a graphically portrayed sex act. There was also a big-breasted woman with flowing black tresses whose torso was laid out between his elbow and wrist. His right arm seemed to be bare of art.
    He studied me for a long time. Through sheer effort, I held his gaze I without breaking eye contact. Finally, he lifted the handset on his side of the glass and said, "Hey, how you doin'?"
    I held the handset loosely against my ear. "I'm good, Mr. Clifton. How about yourself?"
    "I'm doing okay. I know you?"
    "My name's Kinsey Millhone. I'm a private investigator. I appreciate you seeing me."
    "Why don't you skip the 'mister' shit and tell me what you want." Behind the round lenses of his glasses, his eyes were a mild hazel under ill-kempt brows.
    "I was wondering if you'd answer a few questions."
    A slight smile appeared. "About what?"
    "Something that happened in 1969."
    "Why ask me?"
    "This isn't about

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