Queen of the Night

Such places fascinated her; she was intrigued by the history of Rome. This place had once been a sanctuary of power thronged with worshippers, particularly the nearby fullers, who regarded it as a holy of holies, the shrine of Minerva, the patron goddess of their art. The shabby portico still displayed a battered chip carving of fullers trampling woollen cloth in a vat; above them floated an owl, the symbol of Minerva.
    Claudia studied this for a while, then walked up the left-hand portico. She was safe here: the spell-caster outside was one of Sylvester's spies, and there would be other men around the temple, Sylvester's guards. The Presbyter might not move through Rome with all the power of a consul, but he still had those he could whistle up to protect himself. Claudia stood by a pillar and smiled to herself. She was fascinated by that. Sylvester preached the word of the gentle Christ, and yet, not two years out of the catacombs, the Christians were beginning to surround themselves with all the trappings of power: spies, guards, wealth and places of worship.
    Claudia recalled the events of the previous night. Once Helena had left, Polybius and his cronies had begun to celebrate. Claudia was too tired and had retired immediately to bed, waking before dawn to wash and dress herself, break her fast in the kitchen and slip out here to the Temple of Minerva to meet Sylvester as he'd demanded in that cryptic note he'd pushed into her hand. She wondered what he wanted.
    'A place of death.'
    Claudia glanced up sharply. The figure at the far end of the portico, leaning against a pillar, walked slowly towards her. Sylvester's pace quickened as he approached, his face wreathed in a smile, hands out in friendship. Claudia met him and clasped his hands. Sylvester put an arm around her shoulder and gently guided her further up the temple.
    'A place of death, Claudia, but fascinating, isn't it?' He paused and gestured around. 'The old Rome is dying, and that's good.' He grinned. 'The ancients could never make up their minds which god to worship. Look.'
    He pointed to a fresco on the wall depicting the Egyptian God of the Sun, Horus, with a hawk's head, a sceptre in his right hand and an ankh, the symbol of life, in the other; to the left of this was a painting of the god Api with a crescent moon between his horns. They moved further down the temple to another faded scene celebrating Dionysus leading a procession of satyrs, cupids and panthers. In another fresco the wine god sprawled in a chariot pulled by a centaur whilst above this dancers were engaged in a frenzied ritual, robes open, cups in one hand, laurel wreaths in the other. The colours were faded but they vigorously celebrated the rites of one of Rome's favourite gods.
    'All dying.' Claudia caught the note of triumph in Sylvester's voice. 'The gods of Rome are dying. Soon there will only be the one true God.'
    'Is that why you brought me here?' Claudia asked. 'To gloat in triumph over old gods dying and new gods rising?'
    Sylvester laughed and squatted down at the base of a pillar, gesturing at Claudia to join him. He opened the small leather pannier looped around his neck and brought out a linen cloth, which he delicately unfolded. He broke the bread and cheese, then, dipping into the satchel again, brought out a wineskin. Claudia, hungry, ate quickly, taking drinks from the watered wine, still staring round this deserted place of worship.
    'You haven't answered my question,' she said.
    'You know why I have asked you here.' Sylvester paused between mouthfuls. 'The virgin martyr Fulgentia,- is she one of Uncle Polybius' tricks?'
    'I don't know,' Claudia replied.
    'If she is,' Sylvester wagged a warning finger, 'he'll feel the Empress' fury.'
    'We shall all feel the Empress' fury,' Claudia replied wearily. 'Presbyter, I cannot answer that. What Polybius has told the Empress seems to be the truth: the corpse was discovered in his garden.'
    'Very good, very good,' Sylvester soothed. 'But do tell me,' he glanced at her sharply, 'if the full truth emerges.'
    'What will happen to her corpse?' Claudia asked curiously. 'The Empress talked of a church.'
    'That's what I am telling you, Claudia. All over Rome, places like this are being given to us. Imperial palaces, old temples, including the Pantheon, will be blessed with the presence of the Christ Lord, and all this will be forgotten. Just as these frescos commemorate Dionysus, so our churches will be full of Christian art, of