Sandalwood Death: A Novel (Chinese Literature Today Book Series)

up and sat just beyond the door. Through the tiny window I saw seven or eight yayi assembled behind him and an array of soldiers behind them. The fire in the mess hall kitchen had been put out, but the air was still thick with smoke, and it was getting worse.
    The fourth watch was sounded.
    Roosters crowed, some near, some far, and lantern light dimmed; the candles in the cell had burned down halfway. The County Magistrate was still in his chair, head slumped down on his chest, like a wheat stalk weighted down after a frost, seemingly neither dead nor alive. I knew he was in a perilous situation, that even if he didn’t lose his head over what had happened, his days as an official were over. Ah, Qian Ding, what happened to that hard-drinking, poem-writing man you once were? County Magistrate, oh, County Magistrate, mortal enemies are bound to meet; my death tomorrow will erase all debts of gratitude and enmity.
    Xiao Shanzi, Xiao Shanzi, whom I count as my protégé, by disfiguring your own face and taking another’s place in jail, you have earned a place in the annals of history for your incorruptible loyalty. Why did you adamantly insist that you are Sun Bing? Had you told the truth, you would have lost your head, but how much easier that would be than suffering the sandalwood death!
    “Worthy brother, why did you do what you did?” I asked him softly.
    “Shifu,” he replied in an even softer voice, “if I had taken the easy way out by letting them lop off my head, wouldn’t I have lost three teeth for nothing?”
    “But have you given any thought to the sandalwood death?”
    “Shifu, we beggars are hard on ourselves from the moment we’re born. On the day Master Zhu Ba took me on as his disciple, he made me stab myself with a knife. I have trained myself in the ruse of self-injury, and I have trained myself in taking a knife to the head. There are blessings in this world not meant for beggars, but no suffering we do not endure. I urge Shifu to disavow his claim to be Sun Bing; let them punish you with a quick death, and allow your young brother to take the punishment meant for you. By letting me suffer the sandalwood death in your place, it will be your good name that gains the credit.”
    “Since your mind is made up,” I said, “then let us crash the Gates of Hell arm in arm. We will show them the meaning of a heroic death and give those foreign devils and treacherous officials a taste of Gaomi courage!”
    “Shifu, daybreak is still a ways off,” Xiao Shanzi said. “While you have the chance, won’t you tell me about the origins of Maoqiang opera?”
    “Yes, Shanzi, I will. My good young protégé, there is an adage that goes, ‘When death looms, a person can speak only good.’ As your shifu, I will relate for you the history of Maoqiang opera, from its beginnings up to the present.
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    “It is told that during the reign of the Yongzheng Emperor, in the eighteenth century, a truly remarkable man by the name of Chang Mao was born in Northeast Gaomi Township. Single and childless, he had but one companion, a black cat. A crockery mender by trade, he walked the streets and alleys from dawn to dusk carrying his tools and his cat in baskets on a shoulder pole, stopping to mend people’s cracked and broken crockery. He was very good at his trade and, as a man of fine character, was well liked by all. One day, at the funeral of a friend, as he stood before the gravesite, sadness welled up inside him as he thought back to how decently this friend had treated him, and he was moved to pour out his grief in a voice with such lush qualities that the family of the deceased stopped crying and everyone within earshot fell silent. Listening with rapt concentration, they were amazed to discover that a crockery mender had such an affecting voice.
    “This was a seminal moment in the history of Maoqiang opera. Chang Mao’s sung recitation surpassed women’s cries of anguish and men’s dry-eyed wails. He brought solace to the grief-stricken and entertainment to the uninvolved, launching a revolution in traditional funeral expressions of bereavement and giving rise to a new era with fresh sights and sounds. It was like a Buddhist devotee laying eyes on the Land of Ultimate Bliss, with celestial flowers raining down, or someone covered in dirt slipping into a bath to wash away the grime, then drinking a pot of hot tea to force sweat out of every pore. And the talk began, how