Shadow Kissed 03 - Shadowman
that snugged her breasts, though he knew doing so would embarrass her later. He should have sent the human vermin whoâd attacked her deep into the river and let the ghosts within the flows grasp at the rapistsâ limbs until the men drowned. Too bad it wasnât their time.
Layla turned her head in the alley dirt.
âYouâre all right,â he said to counter the confusion billowing out of her. The woman had a strong mind and a stronger will. He could not blot out the memory of the hellgate or Kathleenâs fairy tale, however brief, but he could make her doubt they had ever really happened. They would seem like dreams to her. Would she succumb to this adjustment in her reality?
âMother ofââ she groaned, her lids lifting as her face contracted in a wince.
âTheyâre gone now,â he said. Long gone.
She laboriously shifted up onto an elbow, then must have perceived her partial nakedness, because she scuttled back toward the concrete wall pulling her shirt down. Expression tight with shame and anger, she said, âWho are you?â
Simple question, yet he had no answer to give. Kathleenâs âShadowmanâ would sound absurd to Laylaâs ear. Instead, he asked, âCan you stand? My place is just there.â He lifted a hand toward the warehouse. âYou would be comfortable, and we could callââthis was a gamble, for he had no modern contrivances to make good on the offerââfor aid.â
She lifted herself along the wall to standing and held up the palm of a scraped hand. âJust stay back.â
âI will not harm you.â He allowed her a very small distance between them. âWe can summon theââwhat did they call them in this age?ââpolice.â
âPolice.â She nodded agreement, visibly swallowing. âPolice would be good. Those guys canât have gone far.â
He gestured to the building.
âRight.â Layla lurched into a walk, glancing once furtively over her shoulder and murmuring, âHad the weirdest nightmares.â
âYou hit your head.â He felt her internal denial, then a surge of determination as she attempted to collect her confused impressions into some other order. The gate, her moments in Kathleenâs fairy-tale fantasyâyes, with a spark of desire that made him fight a grin. Then her frustration. The only reasonable answer was the one he was giving her, and Layla, heâd discovered, preferred reason whereas Kathleen lived for dreams.
She stopped at the door, gaze dropped on the knob. What had been broken, heâd used Shadow to make whole again, though only in appearance. He had no lasting hold in the mortal world. Now he was using everything he had to hold his body.
She stepped back, shaking her head. Disquiet and confusion infused the air. âI donât want to go in there.â
Of course she didnât. The last time she had, sheâd faced a gate to Hell. Touched it and released something evil. But the gate was gone, now in the angelsâ keeping.
âYou need to sit down,â he said, reaching around her and twisting the knob. He pushed the door open to let her view the changed interior.
She startled, swayed, and grabbed for the door frame. He would never let her fall.
âYou had better go inside.â
Still she hesitated. This was the moment she would have to decide what was real and what was false. Would she hold to the memory of the bare, dirty space and the hellish gate, or would she take this more reasonable illusion, made from a glossy image in a moldered magazine scrap: âBachelor Pad Goes Old World.â
âWho did you say you were?â
âIâm an artist,â he answered. Thatâs what Kathleen had been.
âI meant your name.â
He had none to give but Shadowman and variations of Death, neither acceptable. He needed something else, and fortunately he had a great catalogue from which to chooseâthe names of the souls heâd taken into his keeping, however briefly, as they crossed from the mortal world, through faery Twilight, to the Hereafter. One stood out: a fighter, a leader, a gambler, and cunning enough to challenge Death.
âKhan.â
Layla snorted. âAs in Genghis?â
Yes. But instead he lied. The fae were excellent deceivers. âIt is common enough where I come from.â
And so he became Khan, artist. It was much better than the
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