Summer in Eclipse Bay
going through heavy, leather-bound log books. The third was pounding away on the keyboard. They barely glanced up when Octavia and Nick entered.
There was a spartan, military-spare look to the furnishings. A large topographical map of Eclipse Bay was laminated to the surface of a massive desk. Rows of log books were arranged on the metal shelving that lined one wall.
Arizona, dressed in her customary camouflage-patterned fatigues, occupied the aging wooden chair behind the desk. A chubby, unlit cigar stuck out of the corner of her mouth. The narrow beam from the desk lamp was aimed low to illuminate the topo map. Most of Arizona's face was in shadow.
"About time you two got here." Arizona motioned toward the chairs that sat opposite her on the other side of the desk. "Have a seat. Coffee?"
Octavia glanced toward the machine in the corner. She could detect the unmistakable odor of burned coffee from where she stood. The glass pot had been sitting on the hot plate for a long, long time.
"No, thanks," she said politely. She took one of the chairs. "I've had enough today."
"I'll pass, too." Nick dropped into the chair beside her. He angled his chin toward the three Heralds. "How's Project Log Book going?"
"Right on schedule, and I intend to keep it that way." Arizona permitted herself a small moment of intense satisfaction. "Those bastards up at the institute aren't going to stop us. But we've got a problem."
"What's up?" Nick asked easily.
"The institute crowd has started a rumor. Heard it at Fulton's this morning," Arizona stated, clearly agitated.
Octavia sighed. "That would be the rumor that I'm the one who stole the painting and faked a break-in at my gallery to cover my tracks?"
"Bingo." Arizona snorted. "So, you've heard it, too, eh?"
"Yes," Nick said. "Seemed to be coming from Eugene and Dwayne. I took steps to keep them quiet, but I had a hunch that they weren't the original source."
"I reckon that the institute tried to use them to spread it for obvious reasons," Arizona said. "Not like those two blockheads would question the source of a story. They'd just happily blab to anyone who would listen. Whoever used them knew that was their nature."
Nick thought for a minute. "You said you heard the rumor at Fulton's?"
"Checkout counter," Arizona said. "Overheard Betty Stiles talking about it to Marjorie Dunne."
An unpleasant whisper of unease went through Octavia. Marjorie Dunne was the mother of little Katy Dunne, one of the children who had entered a picture in the Children's Art Show. Gordon Dunne served on the town council and had made it clear that he intended to run for mayor in the next election cycle. The family took its role as pillars of the community seriously.
"Betty and Marjorie, huh?" Nick leaned back in his chair and thrust his legs out toward the desk. He steepled his fingers. "What we need to do is trace this rumor back to the source."
"We know where it got started," Arizona snapped. "That crowd up at the institute concocted it. I'll bet they've got that painting stashed somewhere up there, too. Now, I've come up with a plan-"
"No." Nick unsteepled his fingers and held up one hand, palm out, to silence her. "Don't even think about it. You are not going to send Octavia and me into the institute to search for that painting."
"Got to go in," Arizona declared. "Don't see any other way to find the picture."
"Give me a few more days," Nick said. "I'm working on some angles."
Arizona looked skeptical. "What angles?"
"It's a little complicated and I'm not ready to talk about it yet. Let's just say that I think this thing has roots in the past. I've asked my grandfather to help. He and Mitch Madison are doing some deep background research. When I get the results I'll contact you."
"Deep background, huh?" Arizona chewed on her cigar while she pondered that. "When do you expect a report from 'em?"
"Soon," Nick promised. He got to his feet. "Any day now. Hold off on your plans to go into the institute until I get back to you, okay? If you move now, you may alert the folks who are behind this and they'll probably move that painting. Maybe ship it to California. We'll never find it if they take it out of town."
Arizona munched on her cigar a couple of times and then nodded decisively. "All right. I'll give you a few days to finish your deep background. But if you don't get anything useful out of Sullivan and Mitch, we're gonna have to go in. It's our only option."
"Right. I'll be in
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