The Confessor

china cabinet fastidiously placed. The knickknacks on the coffee table in her sitting room looked as; though they had been arranged and rearranged by an inmate in an asylum--which in many respects, thought Gabriel, she was.
    "Where were you?" he asked carefully, in a voice he might have used for a small child.
    "First Dachau, then Ravensbruck, and finally Riga." She paused for a moment. "My parents were murdered at Riga. They were shot
    by the Einsatzgruppen, the roving SS death squads, and buried along with twenty-seven thousand others in a trench dug by Russian prisoners-of-war."
    Then she rolled up her sleeve to show Gabriel her number--like the number that Gabriel's mother had tried so desperately to conceal. Even in the fierce summer heat of the Jezreel Valley, she would wear a long-sleeved blouse rather than allow a stranger to see her tattoo. Her mark of shame, she called it. Her emblem of Jewish weakness.
    "Benjamin was afraid he would be killed," she said. "They used to call him at all hours and say the most horrible things on his telephone. They used to stand outside the building at night to frighten him. He told me that if anything ever happened to him, men would come--men from Israel."
    She opened the drawer of her china cabinet and pulled out a white linen tablecloth. With Chiara's help, she unfolded it. Hidden inside was a legal-size envelope, the edges and flap sealed with heavy plastic packing tape.
    "This is what you were looking for, yes?" She held it up for Gabriel to see. "The first time I saw you, I thought you might be the one, but I didn't feel I could trust you. There were many strange things taking place in that apartment. Men coming in the middle of the night. Policemen carting off Benjamin's belongings. I was afraid. As you might imagine, I still do not trust German men in uniform."
    Her melancholy eyes settled on Gabriel's face. "You're not his brother, are you?"
    "No, I'm not, Frau Ratzinger."
    "I didn't think so. That's why I gave you the eyeglasses. If you Were the man Benjamin was talking about, I knew you would follow
    the clues, and that eventually you would find your way back to me. I had to be certain you were the right man. Are you the right man, Herr Landau?"
    "I'm not Herr Landau, but I am the right man."
    "Your German is very good," she said. "You are from Israel, aren't you?"
    "I grew up in the Jezreel Valley," Gabriel said, switching to Hebrew without warning. "Benjamin was the closest thing to a brother I ever had. I'm the man he would have wanted to see what's inside that envelope."
    "Then I believe this belongs to you," she responded in the same language. "Finish your friend's work. But whatever you do, don't come back here again. It's not safe for you here."
    Then she carefully placed the envelope in Gabriel's hands and touched his face.
    "Go," she said.
    PART FOUR
    A SYNAGOGUE BY THE RIVER
    VATICAN CITY
    Benedetto Fó presented himself for work at the four-story office building near the entrance of Saint Peter's Square at the thoroughly reasonable Roman hour of ten-thirty. In a city filled with beautifully dressed men, Fó was clearly an exception. His trousers had long ago lost their crease, the toes of his black leather shoes were scuffed, and the pockets of his sport jacket had been misshapen by his habit of filling them with notepads, tape recorders, and batches of folded papers. The Vatican correspondent for La Repubblica, Fó did not trust a man who couldn't carry his possessions in his pockets.
    He picked his way through a pack of tourists queued up outside the souvenir shops on the ground floor and tried to enter the foyer. A blue-uniformed guard blocked his path. Fó sighed heavily and rummaged through his pockets until he found his press credentials.
    It was a wholly unnecessary ritual, for Benedetto Fó was the dean of the Vaticanisti and his face was as well known to the Press Office security staff as the one belonging to the Austrian bullyboy who ran the place. Forcing him to show his badge was just another form of subtle punishment, like banning him from the Pope's airplane for next month's papal visit to Argentina and Chile. Fó had been a naughty boy. Fó was on probation. He'd been placed on the rack and offered a chance to repent. One more misstep and they'd tie him to the stake and light a match.
    The Sala Stampa della Santa Sede, otherwise known as the Vatican Press Office, was an island of modernity in a Renaissance sea. Fó passed through a set of