The First Book of Lankhmar

Giscorl!" he hissed.
           But the thin-faced henchman was already sniffing around in the cavern's mouth like a well-trained ferret. He gave a cry of satisfaction and lifted down a little figure from a ledge above the fire, which he next stamped out. He carried the figure as gingerly as if it were made of cobweb. As he passed by her, Ivrian saw that it was a clay doll wide as it was tall and dressed in brown and yellow leaves, and that its features were a grotesque copy of her father's. It was pierced in several places by long bone needles.
           "This is the thing, oh Master," said Giscorl, holding it up, but the Duke only repeated, "Quick, Giscorl!" The henchman started to withdraw the largest needle which pierced the doll's middle, but the Duke gasped in agony and cried, "Forget not the balm!" Whereupon Giscorl uncorked with his teeth and poured a large vial of sirupy liquid over the doll's body and the Duke sighed a little with relief. Then Giscorl very carefully withdrew the needles, one by one, and as each needle was withdrawn the Duke's breath whistled and he clapped his hand to his shoulder or thigh, as if it were from his own body that the needles were being drawn. After the last one was out, he sat slumped in his saddle for a long time. When he finally looked up the transformation that had taken place was astonishing. There was color in his face, and the lines of pain had vanished, and his voice was loud and ringing.
           "Take the prisoner back to our stronghold to await our judgment," he cried. "Let this be a warning to all who would practice wizardry in our domain. Giscorl, you have proved yourself a faithful servant." His eyes rested on Ivrian. "You have played with witchcraft too often, girl, and need other instruction. As a beginning you will witness the punishment I shall visit on this foul wizardling."
           "A small boon, oh Duke!" Mouse cried. He had been hoisted onto a saddle and his legs tied under the horse's belly. "Keep your foul, spying daughter out of my sight. And let her not look at me in my pain."
           "Strike him in the lips, one of you," the Duke ordered. "Ivrian, ride close behind him — I command it."
           Slowly the little cavalcade rode off toward the stronghold through the brightening dawn. Ivrian's horse had been brought to her and she took her place as bidden, sunk in a nightmare of misery and defeat. She seemed to see the pattern of her whole life laid out before her — past, present, and future — and it consisted of nothing but fear, loneliness, and pain. Even the memory of her mother, who had died when she was a little girl, was something that still brought a palpitation of panic to her heart: a bold, handsome woman, who always had a whip in her hand, and whom even her father had feared. Ivrian remembered how when the servants had brought word that her mother had broken her neck in a fall from a horse, her only emotion had been fear that they were lying to her, and that this was some new trick of her mother's to put her off guard, and that some new punishment would follow.
           Then, from the day of her mother's death, her father had shown her nothing but a strangely perverse cruelty. Perhaps it was his disgust at not having a son that made him treat her like a cowardly boy instead of a girl and encourage his lowliest followers to maltreat her — from the maids who played at ghosts around her bed to the kitchen wenches who put frogs in her milk and nettles in her salad.
           Sometimes it seemed to her that anger at not having a son was too weak an explanation for her father's cruelties, and that he was revenging himself through Ivrian on his dead wife, whom he had certainly feared and who still influenced his actions, since he had never married again or openly taken mistresses. Or perhaps there was truth in what he had said of her mother and Glavas Rho — no, surely that must be a wild imagining of his anger. Or perhaps, as he sometimes told her, he was trying to make her live up to her mother's vicious and blood-thirsty example, trying to recreate his hated and adored wife in the person of her daughter, and finding a queer pleasure in the refractoriness of the material on which he worked and the grotesquerie of the whole endeavor.
           Then in Glavas Rho Ivrian had found a refuge. When she had first chanced upon the white-bearded old man in her lonely wanderings through the forest, he had