The Glass Books of the Dream Eaters
Berenice—both had infant sons of their own, each of whom should have assumed Lord Tarr’s title and lands before Roger. Yet both had signed a paper to waive their children’s claims, to abdicate, and clear the way for Roger’s inheritance and ennoblement. Miss Temple did not understand how Roger had managed this, for he was not especially wealthy, and she knew each woman well enough to be sure that no small sum would have satisfied either. The cash had been supplied by others, by Crabbé or his cohorts, that was obvious enough. But what was so important about Roger, and how did his advancement possibly relate to the various other plots and murders she had stumbled into? Further—though she told herself the question was merely academic—as Roger took up the rightful property of his cousins, what was he giving up of himself, and for what grand purpose?
In short order she had also learned—for her aunt followed the city’s gossip with an evangelical fervor—the owner of Harschmort, the occasion of the masked ball, the reputations of Prince Karl-Horst and his bride (wretched and unsullied, respectively), and what she could about the various other names she had heard: Xonck, Lacquer-Sforza, d’Orkancz, Crabbé, Trapping, and Aspiche. The latter two her aunt did not know—though she was acquainted with the tragedy of Trapping’s disappearance. Crabbé she knew by way of the Bascombes, but even that family concentrated their attention on the Chief Minister, and not his respected deputy—he was a figure in the government, but hardly public. As the Xonck family’s fame was by way of business, it was significantly less interesting to her aunt—though she had
heard
of them—who was generally attracted to titles (indeed, Robert Vandaariff’s elevation within Agathe’s mind to the rank of a Man who Mattered had only occurred upon his becoming a Lord, though Miss Temple understood that at a certain point such a man
must
be made a Lord, lest the government appear peripheral to
him
). Francis Xonck was of course a figure of scandal, though no one knew exactly why—there were whispers about deviant tastes from abroad newly appeared—but his elder siblings were merely substantial. The Comte d’Orkancz her aunt only knew as a patron of the opera—apparently he was born in some dire Balkan enclave, raised in Paris, and inherited family titles and wealth after a particularly devastating series of house fires cleared the way. Beyond this, Agathe could merely say he was a man of serious refinement, learned and severe, who could have been at a university if those university people were not so very dreadful. The final name, which Miss Temple had put to her aunt with a quaver in her otherwise sure interrogation, met with a hapless shrug. The Contessa Lacquer-Sforza was of course
known,
but nothing seemed to be known
about
her. She had arrived in the city the previous autumn—Agathe smiled, and observed that it must have been very near to when Miss Temple herself had arrived. Agathe had never seen the lady, but she was said to rival Princess Clarissa or Lydia Vandaariff for beauty. She smiled and sweetly asked her niece if
she
had seen the Contessa, and if that were indeed the case. Miss Temple merely snapped that of course not, she had seen none of these people—she saw no one in society unless during her excursions with Roger—and certainly none of these figures from the very cream of the continent. She snorted that the Roger Bascombe
she
had known was hardly the type to mix with such company. Her aunt, with a rueful shake of her head, admitted this was true.
Miss Temple stopped on the landing between the third and second floors and, after looking around to see that she was not observed, sat on the stairs. She felt the need to order her thoughts before rejoining her new comrades—she needed to order her thoughts
about
her new comrades—and before advancing further into her adventure. The sticking point, to her great dismay, remained Roger, neck deep in whatever was taking place. The man was a fool, she knew that now without question—but she felt she was constantly brought up against her former feelings as she strove to move forward without them. Why could she not simply carve them from her thoughts, from her heart? For moments she was sure she had, and that the ache she felt, the pressure in her chest and at the catch of her throat, was not love for Roger, but in fact its absence, as the removal of anything
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