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The Glass Books of the Dream Eaters

The Glass Books of the Dream Eaters

Titel: The Glass Books of the Dream Eaters Kostenlos Bücher Online Lesen
Autoren: Gordon Dahlquist
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perish in a state of extreme tumescence—” she paused, her eyebrows raised to confirm that Miss Temple was following her, “if not outright spontaneous eruption, which is to say, at least for the males of our world, such an end might be preferable to many others. It is my belief that similar, perhaps even more expansive, transports accompany a death derived from the indigo glass. Or such at least is my hope, for indeed, your Cardinal Chang was a singular opponent…truly, I could scarcely wish him ill, apart from wishing him dead.”
    “Did you confirm your hypothesis by examining his trousers?” huffed the Comte. It was only after a moment that Miss Temple deduced he was laughing.
    “There was no time.” The Contessa chuckled. “Life is full of regrets. But what are those? Leaves from a passing season—fallen, forgotten, and swept away.”

    The specter of Chang’s death—one that despite the Contessa’s lurid suggestion she could not picture as anything but horrid, with bloody effusions from the mouth and nose—had spun Miss Temple’s thoughts directly to her own immediate fate.
    “Where are we going?” she asked.
    “I’m sure you must know,” answered the Contessa. “To Harschmort House.”
    “What will be done to me?”
    “Dreading what you cannot change serves no purpose,” announced the Comte.
    “Apart from the pleasure of watching you writhe,” whispered the Contessa.
    To this Miss Temple had no response, but after several seconds during which her attempts to glance out of the narrow windows—placed on either side of their seat, not hers, assumedly to make it easier for someone in her position to either remain unseen or, on a more innocent planet, fall asleep—revealed no clear sense of where in the city she might now be, she cleared her throat to speak again.
    The Contessa chuckled.
    “Have I done something to amuse you?” asked Miss Temple.
    “No, but you are about to,” replied the Contessa. “‘Determined’ does not describe you by half, Celeste.”
    “Very few people refer to me with such intimacy,” said Miss Temple. “In all likelihood, they can be counted on one hand.”
    “Are we not sufficiently intimate?” asked the Contessa. “I would have thought we were.”
    “Then what is
your
Christian name?”
    The elegant woman chuckled again, and it seemed that even the Comte d’Orkancz curled his lip in a reluctant grimace.
    “It is Rosamonde,” declared the Contessa. “Rosamonde, Contessa di Lacquer-Sforza.”
    “Lacquer-Sforza? Is that a
place
?”
    “It was. Now I’m afraid it has become an idea.”
    “I see,” said Miss Temple, not seeing at all but willing to appear agreeable.
    “Everyone has their own plantation, Celeste,…their own island, if only in their heart.”
    “What a pity for them,” declared Miss Temple. “I find an
actual
island to be far more satisfactory.”
    “At times”—the Contessa’s warm tone grew just perceptibly harder—“such is the only way those locations may be visited or maintained.”
    “By not being
real,
you mean?”
    “If that is how you choose to see it.”
    Miss Temple was silent, knowing that she did not grasp the Contessa’s larger point.
    “I don’t intend to lose mine,” she said.
    “No one ever does, darling,” replied the Contessa.

    They rode on in silence, until the Contessa smiled as kindly as before and said, “But you were going to ask a question?”
    “I was,” replied Miss Temple. “I was going to ask about Oskar Veilandt and his paintings of the Annunciation, for you had another in your rooms. The Comte and I discussed the artist over tea.”
    “Did you
really
?”
    “In fact, I pointed out to the Comte that, as far as I am concerned, he seems to be suspiciously in this fellow’s debt.”
    “Did you indeed?”
    “I should say so.” Miss Temple did not fool herself that she was capable of angering or flattering either of these two to a point of distraction that might allow her to throw herself from the coach—a gesture more likely than anything to result in her death under the wheels of the coach behind them—and yet, the paintings were a topic that might well produce useful information about the Process that she might use to prevent her ultimate subversion. She would never understand the science or the alchemy—were science and alchemy the same thing?—for she had always been indifferent to theoretical learning, though she knew the Comte at least was not. What was more,

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