The Glass Books of the Dream Eaters

orchids over and within every inch of her body…
    At this very exquisite moment, in the distant reaches of her mind Miss Temple was aware that she had become lost, and with some difficulty located in her memory—or the memories of so many others—a thin voice against the ecstatic roar, the words of Mrs. Marchmoor to Miss Vandaariff about the card, about concentrating on a moment to relive it, to take control of the sensation, of the experience itself. The girl’s nimble tongue sparked another spasm of pleasure within her loins and Miss Temple—through the eyes of whoever had given her experience to this book—looked down and with excruciating effort focused her mind on the feeling of the girl’s hair between her hands, her fingers pushing against the braids, studded with beads, and then the beads alone, the color…they were blue, of course they were blue…blue glass…she made herself stare into it, deeply, gasping again, thrusting her hips despite herself but somehow pushing her attention past the sweetly searching tongue, driving all other thoughts and sensations from her mind until she saw and felt nothing save the surface of glass and then, in that clear moment, with the force of her entire being, she willed herself elsewhere, pulling free.

    Miss Temple gasped again and opened her eyes, surprised to see that her head was against the floor, pressed into the pile of fabric to the side of the book. She felt weak, her skin hot and damp, and pushed herself to her hands and knees, looking behind her. The Contessa’s suite of rooms was silent. How long had she been looking at the book? She could not begin to recall all of the stories she had seen—been a part of. Had it taken hours, lifetimes?—or was it like a dream, where hours could transpire within minutes? She rolled back on her heels and felt the unsteadiness of her legs and, to her discomfort, the slickness between them. What had happened to her? What thoughts were now embedded in her mind—what
memories
—of ravaging and being ravaged, of blood and salt, male and female? With a dull irony, Miss Temple wondered if she had become the most thoroughly debauched virgin in all of history.

    Forcing her drained body to move, Miss Temple carefully wrapped the damask shawl around the book and tied it. She looked around her for her green bag. She did not see it. Had it not been wrapped around her hand? It had been, she was sure…but it was gone.
    She stood, taking up the wrapped book, and turned her attention to the still half-open door. As quietly as possible she peered through the gap into the parlor. For a moment she was unsure whether she had truly left the book, so strange was the sight before her, so wholly
composed,
as if she gazed into a Pompeian grotto recreated in the modern world. Mrs. Marchmoor sat reclining on the slope of a divan, her beige dress unbuttoned and pushed to her hips and her corset removed, upper body naked save for the triple row of pearls that tightly spanned her throat. Miss Temple could not help but look at her left breast, heavy and pale, the fingers of the woman’s left hand idly teasing the nipple, for her right was quite blocked by Miss Vandaariff’s head. Miss Vandaariff, no longer wearing the mask, blonde hair undone down the length of her back, lay fully on the divan next to Mrs. Marchmoor, eyes closed, legs curled, one hand closed in a soft fist in her lap, the other softly supporting the second breast, from which she nursed dreamily, for comfort, like a satiated milk-drunk babe.
    Across from them, in an armchair, a cheroot in one hand and his pearl-tipped ebony stick in the other, once more in his fur, sat the Comte d’Orkancz. Behind him, standing in a half-circle, were four men: an older man with his arm in a sling, a short, stout man with a red complexion and livid scars around his eyes, and then two men in uniforms that, from her contact with Doctor Svenson, she knew must be from Macklenburg. One was a severe, hard-looking man with very short hair, a weathered, drawn face, and bloodshot eyes. The other she knew—from the card, she realized, she knew him most intimately—was Karl-Horst von Maasmärck. Her first corporeal impression of the Prince was less than favorable—he was tall, pale, thin, depleted,
and
epicene, lacking a chin, and with eyes reminiscent of uncooked oysters. But past all of these figures her gaze moved quickly to the second divan, upon which sat the Contessa Lacquer-Sforza, her cigarette