The Keepsake: A Rizzoli & Isles Novel

floor, but Jane did not follow him. Instead, she was drawn toward a narrow doorway, framed in faux stone.
    “Rizzoli?” said Frost, glancing back.
    “Hold on a minute,” she said, gazing up at the seductive invitation that beckoned from the doorway lintel: COME. STEP INTO THE LAND OF THE PHARAOHS.
    She could not resist.
    Moving through the doorway, she found the space beyond so dimly lit that she had to pause as her eyes adjusted to the shadows. Slowly a room filled with wonders revealed itself.
    “Wow,” whispered Frost, who had followed.
    They stood in an Egyptian burial chamber, its walls covered with hieroglyphs and funerary paintings. Displayed in the room were tomb artifacts, illuminated softly by discreetly placed spotlights. She saw a sarcophagus, gaping open as though awaiting its eternal occupant. A carved jackal head leered from atop a stone canopic jar. On the wall hung funerary masks, dark eyes staring eerily from painted faces. Beneath glass, a papyrus scroll lay open to a passage from the Book of the Dead.
    Against the far wall was a vacant glass case. It was the size of a coffin.
    Peering into it, she saw a photograph of a mummy resting inside a crate, and an index card with the handwritten notice: FUTURE RESTING PLACE OF MADAM X. WATCH FOR HER ARRIVAL!
    Madam X would never make an appearance here, yet already she’d served her purpose, and crowds were now turning up at the museum. She’d drawn in the curious, the hordes seeking morbid thrills eager for a glimpse of death. But one thrill seeker had taken it a step further. He had been twisted enough to actually
make
a mummy, to gut a woman, to salt and pack her cavities with spices. To wrap her in linen, binding her naked limbs and torso strip by strip, like a spider spinning silken threads around its helpless prey. Jane stared at that empty case and considered the prospect of eternity inside that glass coffin. Suddenly the room seemed close and airless, and her chest felt as constricted as if she were the one bound head-to-toe, strips of linen strangling her, suffocating her. She fumbled at the top button of her blouse to loosen her collar.
    “Hello, Detectives?”
    Startled, Jane turned to see a woman silhouetted in the narrow doorway. She was dressed in a formfitting pantsuit that flattered her slender frame, and her short blond hair gleamed in a backlit halo.
    “Mrs. Willebrandt told us you’d arrived. We’ve been waiting upstairs for you. I thought you might have gotten lost.”
    “This museum is really interesting,” said Frost. “We couldn’t help taking a look around.”
    As Jane and Frost stepped out of the tomb exhibit, the woman offered a brisk and businesslike handshake. In the brighter light of the main gallery, Jane saw that she was a handsome blonde in her forties—about a century younger than the docent they’d encountered at the front desk. “I’m Debbie Duke, one of the volunteers here.”
    “Detective Rizzoli,” said Jane. “And Detective Frost.”
    “Simon’s waiting in his office, if you’d like to follow me.” Debbie turned and led the way up the stairs, her stylish pumps clicking against the well-worn wooden steps. On the second-floor landing, Jane was once again distracted by an eye-catching exhibit: A stuffed and mounted grizzly bear had its claws bared as though about to slash anyone coming up the stairs.
    “Did one of Mr. Crispin’s ancestors shoot this thing?” asked Jane.
    “Oh.” Debbie glanced back with a look of distaste. “That’s Big Ben. I’ll have to check, but I think Simon’s father brought that thing home from Alaska. I’m just learning about the collection myself.”
    “You’re new here?”
    “Since April. We’re trying to recruit new volunteers, if you know anyone who’d like to join us. We’re especially looking for younger volunteers, to work with the children.”
    Jane still couldn’t take her eyes off those lethal-looking bear claws. “I thought this was an archaeology museum,” she said. “How does this bear fit in?”
    “Actually, it’s an
everything
museum, and that’s what makes it so hard to market ourselves. Most of this was collected by five generations of Crispins, but we also have a number of donated items. On the second floor, we display a lot of animals with fangs and claws. It’s strange, but that’s where the kids always seem to end up. They like to stare at carnivores. Bunnies bore them.”
    “Bunnies can’t kill you,” said