The Last Gentleman
her two eyes fused into one. âI think I understand what you mean. Youâve been brought up to think it is an ugly thing whereas it should be the most beautiful thing in the world.â
âAh.â
âRita says that anything two people do together is beautiful if the people themselves are beautiful and reverent and unself-conscious in what they do. Like the ancient Greeks who lived in the childhood of the race.â
âIs that right?â
âRita believes in reverence for life.â
âShe does?â
âShe saysââ
âWhat does Sutter say?â
âOh, Sutter. Nothing I can repeat. Sutter is an immature person. In a way it is not his fault, but nevertheless he did something dreadful to her. He managed to kill something in her, maybe even her capacity to love.â
âDoesnât she love you?â
âShe is terrified if I get close to her. Last night I was cutting my fingernails and I gave her my right hand to cut because I canât cut with my left. She gave me the most terrible look and went out. Can you understand that?â
âYes.â
âVery well. Iâll be your whore.â
âHore.â
âHore.â
âI know,â said the engineer gloomily.
âThen you think Iâm a whore?â
âNo.â That was the trouble. She wasnât. There was a lumpish playfulness, a sort of literary gap in her whorishness.
âVery well. Iâll be a lady.â
âAll right.â
âNo, truthfully. Love me like a lady.â
âVery well.â
He lay with her, more or less miserably, kissed her lips and eyes and uttered sweet love-murmurings into her ear, telling her what a lovely girl she was. But what am I, he wondered: neither Christian nor pagan nor proper lusty gentleman, for Iâve never really got the straight of this lady-and-whore business. And that is all I want and it does not seem too much to ask: for once and all to get the straight of it.
âI love you, Kitty,â he told her. âI dream of loving you in the morning. When we have our house and you are in the kitchen in the morning, in a bright brand-new kitchen with the morning sun streaming in the window, I will come and love you then. I dream of loving you in the morning.â
âWhy, thatâs the sweetest thing I ever heard in my life,â she said, dropping a full octave to her old unbuttoned Tallulah-Alabama voice. âTell me some more.â
He laughed dolefully and would have but at that moment, in the stormâs lull, a knock rattled the louvers of the rear door.
It was Rita, looking portentous and solemn and self-coinciding. She had a serious piece of news. âIâm afraid something has come up,â she said.
They sat at the dinette, caressing the Formica with their fingertips and gazing at the queer yellow light outside. The wind had died and the round leaves of the sea grapes hung still. Fiddler crabs ventured forth, fingered the yellow decompressed air, and scooted back to their burrows. The engineer made some coffee. Rita waited, her eyes dry and unblinking, until he came back and she had her first swallow. He watched as the muscles of her throat sent the liquid streaming along.
âIâm afraid weâre in for it, kids,â she told them.
âWhy is that?â the engineer asked since Kitty sat silent and sullen.
âJamie has telephoned Sutter,â Rita told Kitty.
Kitty shrugged.
The engineer screwed up an eye. âHe told me he was going to call his sister Val.â
âHe couldnât reach Val,â said Rita flatly.
âExcuse me,â said the engineer, âbut what is so alarming about Jamie calling his brother?â
âYou donât know his brother,â said Rita trying to exchange an ironic glance with Kitty. âAnyhow it was what was said and agreed upon that was alarming.â
âHow do you know what was said?â asked Kitty, so disagreeably that the engineer frowned.
âOh, Jamie makes no bones about it,â Rita cried. âHeâs going to move in with Sutter.â
âYou mean downtown?â Kitty asked quickly.
âYes.â
âI donât understand,â said the engineer.
âLet me explain, Bill,â said Rita. âSutter, my ex, and Kitty and Jamieâs brother, lives in a dark little hole next to the hospital. The plan of course had been for you and Jamie to take the garage
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