The Museum of Abandoned Secrets

company’s good spirits and decorum. To hell with decorum! This was raw, this would make you look away to avoid staring at the exposed patch of underwear, and since I was the only one present and had absolutely nowhere else to look, I think I giggled or blurted something inappropriate. I don’t remember what exactly, only how awkward it was.... Had we been alone, without Vadym, had he gone to the bathroom, or out to the balcony for a smoke, everything would’ve been cleared up right there and then, but Vadym sat between us, rock-solid, like he was bolted down to the floor, chair and all, like the bed meant for the next victim in
The Hound of the Baskervilles
—sat there like it was his singular mission not to leave Vlada and myself alone even for a minute, no matter what, even if his bladder burst, and this monumentally benevolent solidity of his transformed our girlfriend chirping, whether or not it contained any trifling dissonance or mutual concern, into a sort of organic white noise, little waves lapping innocently at the foot of the rock, too insignificant to cause the rock any manner of discomfort.
    Before that night I hadn’t had much opportunity to observe powerful men at close range—men with the kind of great power that comes from great amounts of money. All my previous experience dictated that a man brought by his paramour to be checked out by her girlfriend should fan his tail like a peacock and deploy the full arsenal of his charms, real and imagined, so I was ill-prepared to deal with the strategic advantage Vadym had instantly gained on us by holding down his position at the table, next to his cognac, and maintaining the indulgent expression of a charitably minded giant. He had complete and undeniable control over theterrain on which his relationship with Vlada unfolded and did not allow me a single peek into that realm—left Vlada and me in the dust like greenhorns, to put it simply.
    Could this be precisely what she loved about him—the cold-bloodedness of a professional player, the chess-master’s logic applied to human pieces, and the fierce, single-minded focus on the results, which artists so chronically lack? An artist is totally different; he or she is forever doomed to wandering, mind and body, in tangential details, sinking into obscure complexities, into colors and shades, patches of knitting and shards of porcelain, and put before people of action, with their unwavering pursuit of “Ready! Aim! Fire!” and the jackpots hit as a consequence, must inevitably feel like a teenager in adult company—and that’s exactly how I felt with Vadym that night.
    Vlada had to have felt that way, too, and for a lot longer, only she thought it was really cool—we’re always attracted to those whose souls ooze vital enzymes we lack most desperately ourselves. Actually, I don’t even know why Vlada wanted to see me that time: something must have been grating on her, something she’d come to doubt already, but somehow we spent the whole five hours conscientiously discussing sociopolitical issues—Kuchma and Gongadze, the shake-ups at the top and the rein-tightening we felt in television, the Venice Biennale, and how profoundly Ukraine managed to fuck it up, and what a redneck pig-farm manager our deputy PM for humanitarian programs showed himself to be—all those things that Ukrainians always talk about, whether they’re friends or just met each other a minute ago, forever marveling at the breakneck speed with which their ne’er-do-well country hurtles off yet another cliff, like the farmers in the joke about the cart full of melons that breaks on their way to the market and they stand there, gaping at all their melons rolling down the hill, and one says to the other, “Hey, look, the striped one’s ahead.”
    That’s how we spent that night—bemoaning whatever striped things were getting ahead—even though beyond all that usual nonsense, Vlada—and by extension, I—did sense somethingunsettling, unsolved, something that must have been the reason for her bringing Vadym over. Something that made her seek out, hope secretly for a moment of truth, for that late-night hiccup in personal machinery when, warmed with alcohol and easy banter, one feels the need to call off one’s internal guards, loosen one’s tie for a moment, and become oneself—for the alchemic brew that induces confessions, unlocks closets, pulls out drawers, drags up long-buried secrets and extracts declarations of