The Uncommon Reader

telescoped. So the social distinctions of which Jane Austen made so much seemed of even less consequence to the Queen than they did to the ordinary reader, thus making the novels much harder going. To begin with at any rate Jane Austen was practically a work of entomology, the characters not quite ants but seeming to the royal reader so much alike as to require a microscope. It was only as she gained in understanding both of literature and of human nature that they took on individuality and charm.
    Feminism, too, got short shrift, at least to begin with and for the same reason, the separations of gender like the differences of class as nothing compared with the gulf that separated the Queen from the rest of humanity.
    But whether it was Jane Austen or feminism or even Dostoevsky the Queen eventually got round to it and to much else besides, but never without regret. Years ago she had sat next to Lord David Cecil at a dinner in Oxford and had been at a loss for conversation. He, she found, had written books on Jane Austen and these days she would have relished the encounter. But Lord David was dead and so it was too late. Too late. It was all too late. But she went on, determined as ever and always trying to catch up.
    THE HOUSEHOLD, too, went on, running as smoothly as it always did, the moves from London to Windsor to Norfolk to Scotland achieved with no seeming effort, at any rate on her part, so that sometimes she felt almost surplus to the procedure, the same transferences and translations accomplished regardless of the person at their centre. It was a ritual of departure and arrival in which she was just a piece of luggage; the most important piece, there was no disputing that, but luggage nevertheless.
    In one respect these peregrinations went better than they had done in the past, in that the personage around whom they revolved generally had her nose in a book. She got into the car at Buckingham Palace and got out at Windsor without ever leaving the side of Captain Crouchback in the evacuation of Crete. She flew to Scotland happy in the (occasionally exasperating) company of Tristram Shandy, and when she got bored with him Trollope (Anthony) was never far away. It all made her a pliant and undemanding traveller. True, she wasn’t always quite as on the dot as she used to be, and the motor waiting under the canopy in the courtyard was a familiar sight, the duke increasingly tetchy in the back. But when she eventually hurried into the car she was never tetchy; after all, she had her book.
    Her household, though, had no such solace and the equerries in particular were becoming increasingly restive and critical. Urbane and exquisitely mannered though he is, the equerry is essentially only a stage manager; always aware when deference is due he (or occasionally she) knows, too, that this is a performance and he is in charge of it, with Her Majesty playing the leading role.
    The audience or the spectators — and where the Queen is concerned everyone is a spectator — know that it is a performance, while liking to tell themselves that it isn’t, quite, and to think, performance notwithstanding, that they have occasionally caught a glimpse of behaviour that is more ‘natural’, more ‘real’ — the odd overheard remark, for instance (“I could murder a gin and tonic,” from the late Queen Mother, “Bloody dogs,” from the Duke of Edinburgh), or the Queen sitting down at a garden party and thankfully kicking off her shoes. In truth, of course, these supposedly unguarded moments are just as much a performance as the royal family at its most hieratic. This show, or sideshow, might be called playing at being normal and is as contrived as the most formal public appearance, even though those who witness or overhear it think that this is the Queen and her family at their most human and natural. Formal or informal, it is all part of that self-presentation in which the equerries collaborate and which, these apparently impromptu moments apart, is from the public’s point of view virtually seamless.
    It only gradually came home to the equerries that these supposedly sincere moments, glimpses of the Queen as she ‘really is’, were occurring less often. Diligently though Her Majesty might carry out all her duties, that was all she was doing, and never now pretending, as it were, to break ranks and seldom coming out with supposedly unrehearsed remarks (“Careful,” she might say as she pins a medal on a young man,