The Whore's Child

first installment weighed in at a robust twenty-five pages, which detailed the suffering of a young girl taken to live in a Belgian convent school where the treatment of the children was determined by the social and financial status of the parents who had abandoned them there. As a charity case and the daughter of a prostitute, young Sister Ursula (for there could be no doubt that she
was
the first-person narrator) found herself at the very bottom of the ecclesiastical food chain. What little wealth she possessed—some pens and paper her father had purchased for her the day before they left the city, along with a pretty new dress—was taken from her, and she was informed that henceforth she would have no use for such pitiful possessions. Her needs—food, a uniform and a single pair of shoes—would be provided for her, though she would doubtless prove unworthy to receive them. The shoes she was given were two sizes too small, an accident, Sister Ursula imagined, until she asked if she might exchange them for the shoes of a younger girl that were two sizes too large, only to be scorned for her impertinence. So before long she developed the tortured gait of a cripple, which was much imitated by the other children, who immediately perceived in her a suitable object for their cruelest derision.
    The mockery of her classmates was something Sister Ursula quickly accommodated, by shunning their companionship. In time she grew accustomed to being referred to as “the whore’s child,” and she hoped that the children would eventually tire of calling her this if she could manage to conceal how deeply it wounded her. During periods of recreation in the convent courtyard she perfected the art of becoming invisible, avoiding all games and contests when, she knew, even those on her own team would turn on her. What she was not prepared for was the cruelty she suffered at the hands of the nuns, who seemed to derive nearly as much satisfaction from tormenting her as their charges—beginning with her request to exchange shoes. She had not merely been told that this was not permitted, but was given a horrible explanation as to why this was so. The chafing of the too small shoes had caused her heels to bleed into her coarse white socks and then into the shoes themselves. Only a wicked child, Sister Veronique explained, would foul the shoes she’d been given with her blood, then beg to exchange them for the shoes of an innocent child. Did she think it fair, the old nun wondered out loud, that another child, one who had not only a virtuous mother but also a father, be asked to wear the polluted shoes of a whore’s child?
    Worse than the sting of the old nun’s suggestion that anything Sister Ursula touched immediately became contaminated was the inference that trailed in the wake of her other remark. The innocent girl had not only a virtuous mother—Sister Ursula knew what this meant—
but
also a father,
which seemed to imply that she herself didn’t have one. Of course she knew that she did have a father, a tall, handsome father who had promised to rescue her from this place as soon as he could find work. Indeed, it was her father who had brought her to the convent, who had assured Mother Superior that she was a good girl and not at all wicked. How then had Sister Veronique concluded that she had no father? The young girl tried to reason it through but became confused. She knew from experience that evil, by its very nature, counted for more in the world than good. And she understood that her mother’s being a prostitute made her “the whore’s child,” that her mother’s wickedness diminished her father’s value, but did it negate his very existence? How could such a thing be? She dared not ask, and so the old nun’s remark burrowed even deeper, intensifying a misery that already bordered on despair.
    Sister Ursula’s first installment ended here, and her fellow students approached the discussion of it as one would an alien spacecraft. Several had attended Catholic schools where they’d been tutored by nuns, and they weren’t sure, despite my encouragement, that they were allowed to be critical of this one. The material itself was foreign to them; they’d never encountered anything like it in the workshop. On the plus side, Sister Ursula’s story had a character in it, and the character was placed in a dire situation, and those were