V Is for Vengeance

on Chapel, which at that hour didn’t have much traffic, so I was making good time. I didn’t see the problem until I was right up on it, preparing to turn left on Paseo. A barrier had been erected. A row of orange cones was neatly set out in front of six sections of portable fence, replete with a sign that said ROAD CLOSED TO THROUGH TRAFFIC. I debated an act of civil disobedience. Instead, I continued up Chapel, thinking to turn left at the next cross street, which was also blocked. This felt like a cruel hoax, but was more likely part of a public-works rehabilitation project relegated to off-hours instead of a plot cooked up specifically to inconvenience me. At the next block up, the street was open but marked one-way, the arrow urging me most emphatically to the right when I wanted to turn left. I said to hell with it and turned left anyway, driving the wrong way down a one-way street. At the back of my mind, I was aware that I wasn’t exactly stone-cold sober. Less than an hour before, I’d had a glass of wine—six ounces by my guess, but possibly eight—with my sandwich. At my height and body weight, I was flirting with the legal limit for blood alcohol content. I was probably under the .08 threshold, but if a cop stopped me for a moving violation, I might well be required to go through a whole song-and-dance routine. Even if I wasn’t compelled to submit breath or body fluids, a traffic ticket would take more time than I could spare.
    I accelerated as far as Dave Levine Street, turned left, drove two blocks, and then turned left again on Paseo. There was a sleek new yellow Cadillac parked near the corner, with a bumper sticker that read I OWN THIS GLORIOUS CAR THANKS TO GLORIOUS WOMANHOOD. On the driver’s-side door, there was a golden figure of a woman with her arms upraised, surrounded by a shower of shooting stars. I found a convenient parking space along an unoccupied length of red-painted curb. I did a masterly job of parallel parking, obscuring the fire hydrant. I shut down the engine, and as I got out of the car, I hesitated. I went through a quick debate about taking my H&K. Pinky’s departure had generated a sense of urgency, but perhaps only in my fevered imagination. There was no reason to think a gun battle would ensue, so I left mine in the Mustang under the driver’s seat. I opened the trunk and shrugged into the windbreaker I keep on hand and then left my unwieldy shoulder bag locked inside. I tucked my keys into my jeans pocket and crossed the street to the duplex.
    I could see lights on upstairs in the McWherters’ apartment on the right. The Fords’ living room also showed lights on the ground floor to the left. The drapes were partially drawn, but I spotted Pinky sitting in an easy chair. Dodie sat on the couch to his right, largely blocked by the window hangings. The lights of the television flickered dully across their faces. If seeing Dodie was so important, I couldn’t understand why he looked so sulky. With his high cheekbones and swarthy complexion, his face appeared to be carved out of wood. I rang the bell and moments later he opened the door.
    “Why’d you run off without telling me?”
    “I was in a hurry,” he said.
    “Well, clearly. Mind if I come in?”
    “Might as well.” He stepped away from the door.
    The foyer was about the size of a bath towel with the living room opening directly to the right. There was a fire in the fireplace, but the logs were fake and the flames appeared from an evenly spaced row of holes in the gas pipe under the grate. The logs were fabricated from a product that mimicked both the outer bark and the raw look of freshly hewn oak, but there was none of the pop and crackle of a live fire and no homely smell of wood smoke. Hard to believe a fire like that had much to offer in the way of warmth. Not that either Pinky or Dodie cared. His attention was fixed on the fellow with a gun pressed against the back of Dodie’s head. It looked like the guy had dragged in a chair from the dining room, and he sat behind the sofa, using the back of it to steady his hand.
    The gun was a semiautomatic, but I didn’t have a clue about the manufacturer. For me, guns and cars fall into the same general category—some identifiable on sight, but many only meaningful by reason of their capacity to maim and kill. What I noticed about this gun was the large frame and the satin chrome finish on the barrel, which also featured a curlicue flourish of leaves