Who Do You Think You Are
seemed proclaimed as a Methodist house, Methodist clothing, inelegant on purpose, heavy, satisfactory. Everything about them seemed to say that they had applied themselves to the world’s work for God’s sake, and God had not let them down. For God’s sake the hall floor shone with wax around the runner, the lines were drawn perfectly with a straight pen in the account book, the begonias flourished, the money went into the bank.
But mistakes were made, nowadays. The mistake the Milton ladies made was in drawing up a petition to be sent to the Canadian Broadcasting Corporation, asking for the removal from the air of the programs that interfered with church-going on Sunday nights: Edgar Bergen and Charlie McCarthy; Jack Benny; Fred Allen. They got the minister to speak about their petition in church—this was in the United Church, where Methodists had been outnumbered by Presbyterians and Congregationalists, and it was not a scene Rose witnessed, but had described to her by Flo—and afterwards they waited, Miss Hattie and Miss Mattie, one on each side of the outgoing stream, intending to deflect people and make them sign the petition, which was set up on a little table in the church vestibule. Behind the table Milton Homer was sitting. He had to be there; they never let him get out of going to church on Sunday. They had given him a job to keep him busy; he was to be in charge of the fountain pens, making sure they were full and handing them to signers.
That was the obvious part of the mistake. Milton had got the idea of drawing whiskers on himself, and had done so, without the help of a mirror. Whiskers curled out over his big sad cheeks, up towards his bloodshot foreboding eyes. He had put the pen in his mouth, too, so that ink had blotched his lips. In short, he had made himself so comical a sight that the petition which nobody really wanted could be treated as a comedy, too, and the power of the Milton sisters, the flax-mill Methodists, could be seen as a leftover dribble. People smiled and slid past; nothing could be done. Of course the Milton ladies didn’t scold Milton or put on any show for the public, they just bundled him up with their petition and took him home.
“That was the end of them thinking they could run things,” Flo said. It was hard to tell, as always, what particular defeat—was it that of religion or pretension?—she was so glad to see.
T HE BOY WHO SHOWED ROSE the poem in Miss Hattie’s own English class in Hanratty high school was Ralph Gillespie, the same boy who specialized in Milton Homer imitations. As Rose remembered it, he hadn’t started on the imitations at the time he showed her the poem. They came later, during the last few months he was in school. In most classes he sat ahead of Rose or behind her, due to the alphabetical closeness of their names. Beyond this alphabetical closeness they did have something like a family similarity, not in looks but in habits or tendencies. Instead of embarrassing them, as it would have done if they had really been brother and sister, this drew them together in helpful conspiracy. Both of them lost or mislaid, or never adequately provided themselves with, all the pencils, rulers, erasers, pen-nibs, ruled paper, graph paper, the compass, dividers, protractor, necessary for a successful school life; both of them were sloppy with ink, subject to spilling and blotting mishaps; both of them were negligent about doing homework but panicky about not having done it. So they did their best to help each other out, sharing whatever supplies they had, begging from their more provident neighbors, finding someone’s homework to copy. They developed the comradeship of captives, of soldiers who have no heart for the campaign, wishing only to survive and avoid action.
That wasn’t quite all. Their shoes and boots became well acquainted, scuffling and pushing in friendly and private encounter, sometimes resting together a moment in tentative encouragement; this mutual kindness particularly helped them through those moments when people were being selected to do mathematics problems on the blackboard.
Once Ralph came in after noon hour with his hair full of snow. He leaned back and shook the snow over Rose’s desk, saying, “Do you have those dandruff blues?”
“No. Mine’s white.”
This seemed to Rose a moment of some intimacy, with its physi cal frankness, its remembered childhood joke. Another day at noon hour, before the bell rang, she came
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