Abbotsford and Newstead Abbey
scars,
Glared through the window’s rusty bars.
And ever by the winter hearth,
Old tales I heard of woe or mirth,
Of lovers’ slights, of ladies’ charms,
Of witches’ spells, of warriors’ arms;
Of patriot battles, won of old,
By Wallace wight and Bruce the bold;
Of later fields of feud and fight,
When pouring from the Highland height,
The Scottish clans, in headlong sway,
Had swept the scarlet ranks away.
While stretched at length upon the floor,
Again I fought each combat o’er.
Pebbles and shells, in order laid,
The mimic ranks of war displayed;
And onward still the Scottish Lion bore,
And still the scattered Southron fled before.”
Scott eyed the distant height of Sandy Knowe with an earnest gaze as we rode along, and said he had often thought of buying the place, repairing the old tower, and making it his residence. He has in some measure, however, paid off his early debt of gratitude, in clothing it with poetic and romantic associations, by his tale of “The Eve of St. John.” It is to be hoped that those who actually possess so interesting a monument of Scott’s early days, will preserve it from further dilapidation.
Not far from Sandy Knowe, Scott pointed out another old border hold, standing on the summit of a hill, which had been a kind of enchanted castle to him in his boyhood. It was the tower of Bemerside, the baronial residence of the Haigs, or De Hagas, one of the oldest families of the border. “There had seemed to him,” he said, “almost a wizard spell hanging over it, in consequence of a prophecy of Thomas the Rhymer, in which, in his young days, he most potently believed:”
“Betide, betide, whate’er betide,
Haig shall be Haig of Bemerside.”
Scott added some particulars which showed that, in the present instance, the venerable Thomas had not proved a false prophet, for it was a noted fact that, amid all the changes and chances of the border; through all the feuds, and forays, and sackings, and burnings, which had reduced most of the castles to ruins, and the proud families that once possessed them to poverty, the tower of Bemerside still remained unscathed, and was still the stronghold of the ancient family of Haig.
Prophecies, however, often insure their own fulfilment. It is very probable that the prediction of Thomas the Rhymer has linked the Haigs to their tower, as their rock of safety, and has induced them to cling to it almost superstitiously, through hardships and inconveniences that would, otherwise, have caused its abandonment.
I afterwards saw, at Dryburgh Abbey, the burying place of this predestinated and tenacious family, the inscription of which showed the value they set upon their antiquity:
Locus Sepultura, Antiquessima Familia De Haga De Bemerside.
In reverting to the days of his childhood, Scott observed that the lameness which had disabled him in infancy gradually decreased; he soon acquired strength in his limbs, and though he always limped, he became, even in boyhood, a great walker. He used frequently to stroll from home and wander about the country for days together, picking up all kinds of local gossip, and observing popular scenes and characters. His father used to be vexed with him for this wandering propensity, and, shaking his head, would say he fancied the boy would make nothing but a peddler. As he grew older he became a keen sportsman, and passed much of his time hunting and shooting. His field sports led him into the most wild and unfrequented parts of the country, and in this way he picked up much of that local knowledge which he has since evinced in his writings.
His first visit to Loch Katrine, he says, was in his boyish days, on a shooting excursion. The island, which he has made the romantic residence of the “Lady of the Lake,” was then garrisoned by an old man and his wife. Their house was vacant; they had put the key under the door, and were absent fishing. It was at that time a peaceful residence, but became afterward a resort of smugglers, until they were ferreted out.
In after years, when Scott began to turn this local knowledge to literary account, he revisited many of those scenes of his early ramblings, and endeavored to secure the fugitive remains of the traditions and songs that had charmed his boyhood. When collecting materials for his “Border Minstrelsy,” he used, he said, to go from cottage to cottage, and make the old wives repeat all they knew, if but two lines; and by putting these scraps together, he
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