Alice Munros Best
well, or laugh when Flora laughed and Ellie gave a whimper, because so much was in Scots dialect or read with that thick accent. She was surprised that Flora could do it – it wasn’t the way Flora ordinarily talked, at all.
(But wouldn’t it be the way Robert talked? Perhaps that is why my mother never reports anything that Robert said, never has him contributing to the scene. He must have been there, he must have been sitting there in the room. They would only heat the main room of the house. I see him black-haired, heavy-shouldered, with the strength of a plow horse, and the same kind of sombre, shackled beauty.)
Then Flora would say, “That’s all of that for tonight.” She would pick up another book, an old book written by some preacher of their faith. There was in it such stuff as my mother had never heard. What stuff? She couldn’t say. All the stuff that was in their monstrous old religion. That put Ellie to sleep, or made her pretend she was asleep, after a couple of pages.
All that configuration of the elect and the damned, my mother must have meant – all the arguments about the illusion and necessity of free will. Doom and slippery redemption. The torturing, defeating, but for some minds irresistible pileup of interlocking and contradictory notions. My mother could resist it. Her faith was easy, her spirits at that time robust. Ideas were not what she was curious about, ever.
But what sort of thing was that, she asked (silently), to read to a dying woman? This was the nearest she got to criticizing Flora.
The answer – that it was the only thing, if you believed it – never seemed to have occurred to her.
BY SPRING A NURSE had arrived. That was the way things were done then. People died at home, and a nurse came in to manage it.
The nurse’s name was Audrey Atkinson. She was a stout woman with corsets as stiff as barrel hoops, marcelled hair the color of brass candlesticks, a mouth shaped by lipstick beyond its own stingy outlines. Shedrove a car into the yard – her own car, a dark-green coupé, shiny and smart. News of Audrey Atkinson and her car spread quickly. Questions were asked. Where did she get the money? Had some rich fool altered his will on her behalf? Had she exercised influence? Or simply helped herself to a stash of bills under the mattress? How was she to be trusted?
Hers was the first car ever to sit in the Grieveses’ yard overnight.
Audrey Atkinson said that she had never been called out to tend a case in so primitive a house. It was beyond her, she said, how people could live in such a way.
“It’s not that they’re poor, even,” she said to my mother. “It isn’t, is it? That I could understand. Or it’s not even their religion. So what is it? They do not care!”
She tried at first to cozy up to my mother, as if they would be natural allies in this benighted place. She spoke as if they were around the same age – both stylish, intelligent women who liked a good time and had modern ideas. She offered to teach my mother to drive the car. She offered her cigarettes. My mother was more tempted by the idea of learning to drive than she was by the cigarettes. But she said no, she would wait for her husband to teach her. Audrey Atkinson raised her pinkish-orange eyebrows at my mother behind Flora’s back, and my mother was furious. She disliked the nurse far more than Flora did.
“I knew what she was like and Flora didn’t,” my mother said. She meant that she caught a whiff of a cheap life, maybe even of drinking establishments and unsavory men, of hard bargains, which Flora was too unworldly to notice.
Flora started into the great housecleaning again. She had the curtains spread out on stretchers, she beat the rugs on the line, she leapt up on the stepladder to attack the dust on the molding. But she was impeded all the time by Nurse Atkinson’s complaining.
“I wondered if we could have a little less of the running and clattering?” said Nurse Atkinson with offensive politeness. “I only ask for my patient’s sake.” She always spoke of Ellie as “my patient” and pretended that she was the only one to protect her and compel respect. But she was not so respectful of Ellie herself. “Allee-oop,” she would say, dragging the poor creature up on her pillows. And she told Ellie she wasnot going to stand for fretting and whimpering. “You don’t do yourself any good that way,” she said. “And you certainly don’t make me come any quicker.
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