And the Mountains Echoed
tower. He took off his gloves and dug at the ground. He thought of her heavy eyebrows and her wide rounded forehead, her gap-toothed smile. He heard in his head the tinkle of her laughter rolling around the house like it used to. He thought of the scuffle that had broken out when they had come back from the bazaar. Pari panicking. Shrieking. Uncle Nabi quickly whisking her away. Abdullah dug until his fingers struck metal. Then he maneuvered his hands underneath and lifted the tin tea box from the hole. He swiped cold dirt off the lid.
Lately, he thought a lot about the story Father had told them the night before the trip to Kabul, the old peasant Baba Ayub and the
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. Abdullah would find himself on a spot where Pari had once stood, her absence like a smell pushing up from the earth beneath his feet, and his legs would buckle, and his heart would collapse in on itself, and he would long for a swig of the magic potion the
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had given Baba Ayub so he too could forget.
But there was no forgetting. Pari hovered, unbidden, at theedge of Abdullahâs vision everywhere he went. She was like the dust that clung to his shirt. She was in the silences that had become so frequent at the house, silences that welled up between their words, sometimes cold and hollow, sometimes pregnant with things that went unsaid, like a cloud filled with rain that never fell. Some nights he dreamed that he was in the desert again, alone, surrounded by the mountains, and in the distance a single tiny glint of light flickering on, off, on, off, like a message.
He opened the tea box. They were all there, Pariâs feathers, shed from roosters, ducks, pigeons; the peacock feather too. He tossed the yellow feather into the box. One day, he thought.
Hoped.
His days in Shadbagh were numbered, like Shujaâs. He knew this now. There was nothing left for him here. He had no home here. He would wait until winter passed and the spring thaw set in, and he would rise one morning before dawn and he would step out the door. He would choose a direction and he would begin to walk. He would walk as far from Shadbagh as his feet would take him. And if one day, trekking across some vast open field, despair should take hold of him, he would stop in his tracks and shut his eyes and he would think of the falcon feather Pari had found in the desert. He would picture the feather coming loose from the bird, up in the clouds, half a mile above the world, twirling and spinning in violent currents, hurled by gusts of blustering wind across miles and miles of desert and mountains, to finally land, of all places and against all odds, at the foot of that one boulder for his sister to find. It would strike him with wonder, then, and hope too, that such things happened. And though he would know better, he would take heart, and he would open his eyes, and walk.
Three
Spring 1949
Parwana smells it before she pulls back the quilt and sees it. It has smeared all over Masoomaâs buttocks, down her thighs, against the sheets and the mattress and the quilt too. Masooma looks up at her over her shoulder with a timid plea for forgiveness, and shameâstill the shame after all this time, all these years.
âIâm sorry,â Masooma whispers.
Parwana wants to howl but she forces herself into a weak smile. It takes strenuous effort at times like this to remember, to not lose sight of, one unshakable truth: This is her own handiwork, this mess. Nothing that has befallen her is unjust or undue. This is what she deserves. She sighs, surveying the soiled linens, dreading the work that awaits her. âIâll get you cleaned up,â she says.
Masooma starts to weep without a sound, without even a shift in her expression. Only tears, welling, trickling down.
Outside, in the early-morning chill, Parwana starts a fire in the cooking pit. When the flames take hold, she fills a pail with waterfrom Shadbaghâs communal well and sets it to heat. She holds her palms to the fire. She can see the windmill from here, and the village mosque where Mullah Shekib had taught her and Masooma to read when they were little, and Mullah Shekibâs house too, set at the foot at a mild slope. Later, when the sun is up, its roof will be a perfect, strikingly red square against the dust because of the tomatoes his wife has set out to dry in the sun. Parwana gazes up at the morning stars, fading, pale, blinking at her indifferently. She gathers herself.
Inside, she
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