Brave New Worlds

thoughts scatter. She licks them like gossamer spider's webs, but can't collect them into coherent strands. They bundle and knot in all the wrong ways. "I have no soul to haunt me," she says, because it reassures her to think this.
    Then the pull. This is her least, and most, favorite part. She closes her eyes, and starts floating. Warmth radiates from the port in her neck. She doesn't feel it. There are no nerves up there. Just pulp and grey matter. Heat in tiny lasers breaks the synapses, until all those bad thoughts disappear. Memories fade, and are gone. First Lulu, then school, then the pills, then her father, then her soul. She can't remember them anymore.
    When the stream ends, she nods off. In her dream a little person lives inside of her, and that person is so angry she's eating her own fingers until all that is left is a pair of opposable thumbs. She holds them up, bloody and ragged as the coast of a beach.
    The table jiggles as it rescinds. She falls to the floor. The needle in her arm tears her skin on its way out. Blood squirts. The needle in her port, still attached, yanks her head back. "Cripes on a cross!" she mumbles, then with an eye half-open, looks at her watch: 11:15. She's been sleeping for two hours. A personal best. She twists the tube from her port, and starts out just as the sprinklers and ammonia pour from the ceiling, to clean the room for another patient.
    Except for the headache that longs for more morphine, she's as light as air when she opens the door to the waiting room. The world is like a flat desert, and she sees nothing for miles. Wings, sparkly and slender as silk threads, are attached to her back; they'll fly her away.
    In the waiting room, her father is sitting next to the woman wearing the garbage bag. The woman is really fat, so maybe it's a contractor bag. You could roll her, Trina thinks, and then she giggles. The doctor has made her so happy!
    Her dad stands to greet her. He's tall, dark, and skinny. Long, long ago, her mother used to call him beanpole: My funny beanpole, I could grow cumquats off your arms. My funny beanpole, bend down a few stories, and give me a kiss. T wo years ago, the apartment got so hot that he filled the tub with ice water, and they all took turns snorkeling for rubber duckies in their bathing suits.
    He's frowning like he's worried, and suddenly her stomach turns. Something is wrong. What could it be? She knows, even though she can't remember. She did something bad.
    Her temples throb. She cradles her head like she's wounded, because she wants him to know that she's hurting. There's a bruise on her cheek, but she doesn't know how she got it. "Daddy," she says, and she doesn't know why, but she's crying.
    It smells like metal out; another explosion in midtown. They walk with their shirtsleeves over their noses to the car. His legs scrunch in the seat, and he has to bend into the steering wheel.
    She thinks maybe he's going to hit her, which is stupid, because he's never once hit her in her life. But he only raises his hand to make sure her sleeve stays over her nose. He holds it there, so she doesn't have to talk for a long while. He takes care of her, which, come to think of it, he's always done. After a long while, he takes his hand away, so she raises her own hand to keep her shirt in place. Out the window, ashes fall like rain. If you think of them as black dandelion wishes, they're almost pretty.
    She was mad at him, she realizes, so she told the doctor something very bad. Now he's is in trouble. To keep from sobbing, she puts the heel of her hand in her mouth and bites down. "I'm sorry. I told," she whispers through a mouthful of bone.
    He closes his eyes for just a second. "Remember me," he says.
    In her mind, a bomb explodes where she sits. Its fire swallows her, and her father, and the car, and the doctor, and her apartment in Queens, and her city, and her country, and the whole world. All ashes, falling down.
    He's not yet gone, but already she remembers something as if she is reminiscing at his funeral: before the war, her dad never drank.

    "Where do they go?" Trina asks her best friend Lulu the next day at lunch. They're on line in the school cafeteria. She can't remember what she said to the doctor, except it feels queasy, like spoilt milk. It feels gnawing, like missing fingers.
    "Where does what go?" Lulu asks. She's got a voice like Darth Vader because her mechanical lung needs a tune-up. When Trina's feeling left out, she takes