Breathless
resources for investigating and tracking a subject of interest. Henry had taken great care to conceal his theft and to cover his trail when he came west, but evidently he had not been careful enough.
He didn’t for a moment believe that his brother, Jim, might be stalking him. Jim was dead. Shot three times. The third time in theface. Even if Jim survived—which he had not—he would be blind and brain-damaged.
After picking up the last of the broken mirror, Henry carried the bag to the kitchen and put it in the trash can. He took the shotgun with him.
At the cellar door, the chair remained wedged securely under the knob.
Putting one ear to the space between door and jamb, he held his breath and listened. No sound rose from below.
Perhaps some people would have been superstitious enough to wonder if Jim might have returned from the dead for revenge. Henry didn’t believe in life after death of either the spiritual or the zombie-movie kind.
The missing bodies, the bloody handprint, and the smear on the bedspread were just theater. Somebody out there had an adolescent sense of humor. He wanted to torment Henry.
Whoever the sonofabitch might be, he was evidently a sadist. No surprise. Most people in Henry’s Washington circles were sadists. In a certain kind of personality, sadism and a craving for power were entwined character traits.
Henry put the shotgun on the dinette table. Still standing, he poured another glass of the wine that he had tolerated with dinner.
A year previously, Henry had become aware of a sadistic streak in himself. He first recognized it when, while watching a woman chef on the Food Network for half an hour, he imagined sixteen violent and grotesque things he wanted to do to her. At the end of the show, he had no memory of a single dish that she had prepared.
He then switched to Home and Garden Television, where he found a program hosted by a cute interior designer. By the end ofthe show, in Henry’s vivid imagination, the woman sagged naked and broken against a limestone column to which she had been lashed with lengths of barbed wire.
For the past year, no woman on television was safe when Henry picked up the remote control. Certain celebrities inspired in him such extravagantly savage fantasies that he bought the largest flat-screen TV on the market.
Jim and Nora didn’t have a TV. No cable service existed in these boondocks, and they refused to spring for satellite service.
If Henry Rouvroy’s plans were fulfilled, he would have no time for television, anyway. He doubted very much that he would be able to find celebrity chefs to imprison in the potato cellar, but even rural Colorado had plenty of tender flesh to suit his purposes.
Because he considered himself an intellectual, Henry had spent considerable time thinking about his sadistic impulses. He understood that they were not triggered by the cooking show. Extreme sadism always had been a fundamental quality of his nature. For most of his life, he repressed it in order to avoid imprisonment. He channeled that energy into his career, powered his ambition with it.
A year earlier, however, because of his insider knowledge, he recognized that a time was coming when societal upheaval and chaos would result in widespread failures of local authority, creating circumstances in which a sadist could surrender to his compulsions with little fear of punishment. The nation would soon be a thrill park for men like him.
To be ready for that time of infinite delights, he had much to do. Stock the place with years’ worth of consumables. Seed the first hundred yards or so of the dirt lane, this side of the highway, so that weeds and grass would make it vanish. Create a natural-lookingdeadfall of trees that further blocked entrance, but only after charting a driveable path through the forest, to get an SUV around the deadfall.
He must sell the horses and chickens, too, or otherwise dispose of them. His assumption of his brother’s identity had not been for the purpose of becoming a farmer.
The thought of feeding chickens and collecting their eggs made Henry shudder. And he would not slaughter and pluck them, either. A man of his education, sophistication, and accomplishments should not be reduced to killing the food he ate.
Before he killed the women he intended to keep in the potato cellar, he would most likely bite them, as part of his play, but he had no intention of
eating
them. That was so twentieth-century Hollywood, and
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