City of Night

Tibet.
    Michael dragged the dresser out of the way, and the door fell into the room. They walked across it into the hall, and ran for the stairs.
    Fragrant with evaporating chloroform, Vicky hadn’t cooperated by regaining consciousness. Carson carried both shotguns, and Michael carried Vicky.
    When Carson unlocked the back door and opened it, she paused on the threshold, turned to survey the kitchen. “I may never see this place again.”
    “It’s not exactly Tara,” Michael said impatiently.
    “I grew up in this house.”
    “And a fine job you did of it. Now it’s time to move on.”
    “I feel like I should take something.”
    “I assume you heard Deucalion say ‘Apocalypse.’ For that, you don’t need anything, not even a change of underwear.”
    She held the door for him as he left with Vicky, hesitated outside before closing it, and then realized what she needed: the keys to Vicky’s car.
    They hung on the kitchen pegboard. She stepped inside, snared the keys, and left without a pang of sentimental regret.
    She hurried after Michael, through the darkness along the side of the house, alert to the possibility that the pair from the Mountaineer might still be hanging around, passed him in the front yard, and opened the back door of Vicky’s Honda, so he could load her.
    The car was parked under a streetlamp. With all the commotion, surely they were being watched. They would probably need to switch vehicles in an hour or two.
    Carson and Michael assumed their usual positions: she behind the steering wheel, he in the shotgun seat, which was literally the shotgun seat tonight, because he sat there with two Urban Snipers that still smelled hot.
    The engine caught, and she popped the handbrake, and Michael said, “Show me some NASCAR moves.”
    “You finally want me to put the pedal to the metal, and it’s a five-year-old Honda.”
    Behind them, Vicky began snoring.
    Carson burned rubber away from the curb, ran the stop sign at the end of the block, and hung a left at the corner in a test of the Honda’s rollover resistance.
    More than two blocks away, approaching, were the flashing red-and-blue lights of a squad car.
    She wheeled right into an alleyway, stood on the accelerator, took out someone’s trash can, scared one of the nine lives out of a cat, said, “That sonofabitch Frankenstein,” and blew out of the neighborhood.
     
     
     

Chapter 67
     
    When the exhilarating dance of death was done, Gunny Alecto and another garbage-galleon driver plowed two feet of concealing trash into the shallow grave in which the remains of the five members of the Old Race were interred.
    In the torchlight, the trash field glimmered like a sea of gold doubloons, and the excited crew appeared to sweat molten gold, too, as they calmed themselves, with some effort, for the more solemn ceremony ahead.
    Beginning shortly after dawn, all the incoming trucks would dump here in the west pit for at least a week, and soon the brutalized remains would be buried too deep for accidental discovery and beyond easy exhumation.
    When the plowing was finished, Gunny came to Nick, movie-star beautiful and filthy and grinning with dark delight. “Did they crunch like roaches?” she asked excitedly.
    “Oh, they crunched,” Nick agreed.
    “Did they squish? ”
    “Yeah, they squished.”
    “That was hot! ” she said.
    “You’re hot.”
    “Someday, all we’ll be pushin’ into these pits is people like them, truckloads of their kind. That’s gonna be some day, Nick. Isn’t that gonna be someday?”
    “Gonna get you later,” he said, slipping a hand between her hip boots, clutching the crotch of her jeans.
    “Gonna get you! ” she shot back, and grabbed him the same way, with a ferocity that excited him.
    Dog-nose Nick couldn’t get enough of her stink, and buried his face in her hair, growling as she laughed.
    The second truck now descended the sloped wall of the pit and drove toward the crew line. On the open bed were arranged the three dead gone-wrongs, the consequences of experiments that had not led to the hoped-for results.
    Victor Helios didn’t refer to them as gone-wrongs, and neither did anyone at Mercy, as far as Nick knew. This word was part of the culture of Crosswoods, as were the crew’s ceremonies.
    The five members of the Old Race had been lashed upright to poles for the last leg of their journey to the grave, the better to be pelted with garbage and reviled, but the gone-wrongs lay upon a thick