Cutler 02 - Secrets of the Morning

the kitchen?"
    "Absolutely. According to your grandmother, you are quite used to being waited on, but I'm afraid . . ."
    "That's not true!" I exclaimed. "I've never been waited on."
    Her eyes grew small and watchful and for a long moment she stared at me.
    "Follow me to the kitchen. We'll come back for your suitcases after I've shown you the rest of the house."
    I followed Agnes out and down the hallway. The kitchen and the dining room were at the far end. The kitchen was small with a kitchenette table and chairs in the center and a window that looked out on another building, which meant there would be no sunlight here in the morning. Even so, Mrs. Liddy had everything looking so spick and span: the light yellow linoleum shining, the appliances glittering clean, that the room sparkled.
    The dining room was long and narrow with a big chandelier of teardrop glass. The table could easily seat a dozen or so people. Right now it had a crystal centerpiece with a vase of flowers beside it and four place mats set at the far end, which I quickly imagined was there for myself, the other two students and Agnes Morris.
    "Trisha set the table this morning," Agnes explained. "Each of the students takes his or her turn for a week setting the table and clearing the dishes. And no one complains," she added pointedly.
    There were no windows in the dining room, but the right wall was covered with a long floor-to-ceiling mirror, which made the room look even longer and wider. The opposite wall was peppered with pictures of dancers and singers, musicians and actors. From the way some of the pictures had faded into sepia, I knew they were quite old. The floor was carpeted in dark brown and the carpet looked far newer than the rug in the entryway.
    Agnes led me through the dining room to a short corridor. She explained that her room was here and Mrs. Liddy's room was at the far end. She paused at her door and her eyes seemed to soften a bit.
    "If you ever need to talk, just knock softly on my door anytime," she said. I was surprised, but happy she had finally said something nice to me.
    "It's one of the reasons why my house is so popular with the out of town students. I, having been in the theater, can appreciate the problems performing arts students face. I understand and I can empathize." Sometimes, when she spoke to me, she made her gestures so big, it was as if we were both on a stage before an audience and our conversation was dialogue written for a play.
    "Knock like this," she said and tapped gently on her own door. "Then wait. I'll say, enter. You turn the handle slowly and open the door gradually, an inch or so at a time," she said in a loud whisper and demonstrated. "I hate it when doors are thrust open."
    I stared at her, fascinated by her every move, the soft way she spoke. I had never had anyone take such care showing me how to enter a room. Then my eyes swung from her to the doorway and I saw the curtain. It was in two sections, draped from the ceiling to the floor about five feet or so inside the door. Anyone who came into the room would have to separate the curtains and walk through, just like he or she would separate a curtain to enter a stage. Before I could ask about it, she closed the door softly and turned to me.
    "Do you understand everything I've told you?" she asked.
    "Yes, ma'am."
    "Good. Let me show you your room."
    We returned to the sitting room to pick up my luggage and then proceeded up the stairway to the second floor, which contained four bedrooms. There were two bathrooms on this floor, one on each side.
    "Now," Agnes said, pausing in front of the bathroom on the left, "although everyone could use either one in an emergency, I like to keep this one reserved for males and the other one for females. We mustn't abuse our bathrooms," she emphasized. "We must always keep the others in mind and not be selfish and take up too much time doting on ourselves.
    "As long as I've had students here," she said softly, "I haven't had any problems having both boys and girls. That's because we all use discretion," she said. "We don't spend inordinate time alone with a member of the opposite sex and never close the door when we are alone. Am I quite understood in this?" she asked.
    "I'm afraid you have been misinformed about me," I said and felt the tears burning under my eyelids.
    "Please, my dear Dawn. Let's not bring a single note of unpleasantness into this opening scene. Let it all go like clockwork—all of us in tune