Fear Nothing

it. Eventually, some of them began to have a lot in common with the animals.”
        “Jesus.”
        “Too much in common maybe. There was some kind of… episode. I don't know the details. It was extremely violent. People died. And all the animals either escaped or were let out.”
        “The troop.”
        “About a dozen smart, vicious monkeys, yes. But also dogs and cats… and nine of the prisoners.”
        “And they're still loose?”
        “Three of the prisoners were killed in the attempt to recapture them. The military police enlisted our help. That's when most of the cops in the department were contaminated. But the other six and all the animals… they were never found.”
        The man-size barn door opened, and Toby stepped into the threshold. “Daddy?” Shuffling as much as walking, he came to his father and hugged him fiercely. He grinned at me. “Hello, Christopher.”
        “Hi, Toby.”
        “Hi, Orson,” the boy said, letting go of his father and dropping to his knees to greet the dog.
        Orson liked Toby. He allowed himself to be petted.
        “Come visit,” Toby said.
        To Manuel, I said, “There's a whole new troop now. Not violent like the first. Or at least… not violent yet. All tagged with transponders, which means they were set loose on purpose. Why?”
        “To find the first troop and report their whereabouts. They're so elusive that all other attempts to locate them have failed. It's a desperation plan, an attempt to do something before the first troop breeds too large. But this isn't working, either. It's just creating another problem.”
        “And not only because of Father Eliot.”
        Manuel stared at me for a long moment. “You've learned a lot, haven't you?”
        “Not enough. And too much.”
        “You're right - Father Tom isn't the problem. Some have sought him out. Others chew the transponders out of each other. This new troop… they're not violent but they're plenty smart and they've become disobedient. They want their freedom. At any cost.”
        Hugging Orson, Toby repeated his invitation to me: “Come visit, Christopher.”
        Before I could respond, Manuel said, “It's almost dawn, Toby.
        Chris has to be going home.”
        I looked toward the eastern horizon, but if the night sky was beginning to turn gray in that direction, the fog prevented me from seeing the change.
        “We've been friends for quite a few years,” Manuel said. “Seems like I owed you some pieces of the explanation. You've always been good to Toby. But you know enough now. I've done what's right for an old friend. Maybe I've done too much. You go on home now.” Without my noticing, he had moved his right hand to the gun in his holster. He patted the weapon. “We won't be watching any Jackie Chan movies anymore, you and me.”
        He was telling me not to come back. I wouldn't have tried to maintain our friendship, but I might have returned to see Toby from time to time. Not now.
        I called Orson to my side, and Toby reluctantly let him go.
        “Maybe one more thing,” Manuel said as I gripped the handlebars of my bike. “The benign animals who've been enhanced-the cats, the dogs, the new monkeys-they know their origins. Your mother… well, maybe you could say she's a legend to them… their maker… almost like their god. They know who you are, and they revere you. None of them would ever hurt you. But the original troop and most of the people who've been altered… even if on some level they like what they're becoming, they still hate your mother because of what they’ve lost. And they hate you for obvious reasons. Sooner or later, they’re going to act on that. Against you. Against people close to you.”
        I nodded. I was already acting on that assumption. 'And you can't protect me?'
        He didn't reply. He put his arm around his son. In this new Moonlight Bay, family might still matter for a while, but already the concept of community was slipping away.
        'Can't or won't protect me?' I wondered. Without waiting through another silence, I said, 'You never told me who Carl Scorso is,' referring to the bald man with the earring, who had apparently taken my father's body to an autopsy room in some secure facility still operative beneath a far corner of Fort Wyvern.
        'He's one of the original prisoners who signed on for the experiments. The generic damage related to his