Ghostfinders 01 - Ghost of a Chance

want to rule the world, and some say they already do. The Crowley Project loot and brutalise all the manifestations of the unseen world because they want to know the secrets of Life and Death. They want to rule not only this world but the afterworlds, too. They want it all.
    Some of them eat ghosts, consuming their energies and absorbing their knowledge and memories. Some of them create bad places on purpose, poisoning the psychic wells of the world with awful technologies and bad intent, dropping bloody bait into the waters to attract otherworldly monsters. For the fun of it, and the sport. They create disasters and glory in destruction, and dance in the aisles of crashing planes. Just because they can. Do what thou wilt is the whole of their law. They are the main rivals and deadly enemies of the Carnacki Institute, and so it has been for centuries. Because the Light must always be at war with the Dark, or because Good and Evil simply cannot abide each other; or maybe because every coin must have two sides. Two organisations, forever at each other’s throats; two small fish in a pond that is so much bigger than either of them have ever realised.
    Field agents Natasha Chang and Erik Grossman have come to Oxford Circus Tube Station on behalf of the Crowley Project. And they’re not there for the ghosts.

    Natasha Chang was a self-made femme fatale, her bright eyes and merry smile a cover for a cutting edge and a concealed agenda. A beautiful creature in her late twenties, she had artfully bobbed dark hair, dark, slanted eyes, and an even darker heart. Daddy was a corrupt Hong Kong businessman with a thing for the English aristocracy, who fled Hong Kong in a hurry, one step ahead of the police and all the people he’d cheated and betrayed. He brought his considerable fortune to the United Kingdom and married a very minor member of a very old family, who needed the money. Daughter Natasha grew up half-Chinese, half-English rose, privileged and cosseted but still looked down on as a half-breed by all her peers at school. She emerged from that venerable institution driven to win at any cost. The coldly ruthless child of cold and ruthless parents, Natasha struck out for freedom and an independent income at an early age. By helping Mummy murder Daddy when she was fourteen years old. She could have spent the rest of her life partying, pampering and indulging herself; but that wasn’t enough for Natasha. There were slights to be avenged. She ached to be out in the world, doing things. Bad things, preferably. Because every femme fatale needs more-and-more-difficult objectives to test herself against, to reassure herself that no-one runs her life but her.
    Natasha cultivated an arrogant aristocratic poise that never failed to fascinate and intimidate those around her, and she strode through the world as though she fully intended to walk right over anyone who didn’t get out of her way fast enough. A lot of men found that attractive, and a challenge, as they were supposed to, the fools. Natasha’s mixed-race background gave her an exotic air that she exploited mercilessly in affairs of the heart. She’d been married three times and widowed four. (That last one took a lot of killing.) She wore the very best clothes by the very best designers and never looked less than stunning. Because for Natasha, her beauty was another weapon she could use. Currently, her make-up was bold and striking, with subtle Egyptian touches around the eyes; her long, sharp fingernails were painted with real gold leaf; and she wore enough heavy rings on both hands for them to qualify as knuckle-dusters. She was wearing a pink leather cat suit, her favourite, because she had seen Eleanor Bron wear one in the Beatles movie Help! at an impressionable age.
    She was also a gifted telepath. She’d won that ability in the divorce settlement from her first husband.
    Erik Grossman couldn’t have passed for a beautiful creature in a dark room during a total eclipse of the sun. A rogue scientist and self-made mad doctor in his early thirties, Erik had been banned from universities all over Europe for his unorthodox and unethical medical experiments. At the last count, Interpol had arrest warrants out for him under eleven different names. Erik had his own private gallery of Wanted posters with his face on them, the one touch of personal vanity he allowed himself. Erik’s problem was that he saw the human body as a series of fascinating but inherently