Hard Rain
at the extent of the destruction. Cars
drove through Daitokuji Temple. Mount Hiei, the birthplace of Japanese
Buddhism, had been turned into a parking lot, with an entertainment
emporium on its summit. Streets that had once been lined with ancient
wooden houses accented with bamboo trellises were now tawdry with
plastic and aluminum and neon, the wooden houses dismantled and gone.
Everywhere were metastasizing telephone lines, riots of electric wires,
laundry hanging from prefabricated apartment windows like tears from
idiot eyes.
On my way back to Osaka, I entered the Grand Hotel, more or less the
geographic center of the city. I took the elevator to the top floor,
where, with the exception of the Toji Pagoda and a sliver of the
Honganji Temple roof, I was confronted in all directions by nothing but
interchangeable urban blight. The city's living beauty had been beaten
back into clusters of cowering refugees, like the results of some
inexplicable experiment in cultural apartheid.
I thought of the poem by Basho, the wandering hard, which had moved me
when my mother had first related it, on my earliest visit to the city.
She had taken my hand as we stood upon the towering scaffold of
Kiyomizu Temple, looking out upon the still city before us, and,
surprising me with her accented Japanese, had said:
Kyou nite mo kyou natsukashiya... Though in Kyoto, 1long for Kyoto ...
But the meaning of the poem, once a paean to ineffable, unfulfillable
longing, had changed. Like the city itself, it was now sadly ironic.
I smiled without mirth, thinking that, if any of this had been mine, I
would have taken better care of it. This is what you get if you put
your trust in the government, I thought. People ought to know
better.
I felt my pager buzz. I unclipped it and saw the code Tatsu and I had
established to identify ourselves, along with a phone number. I'd been
half expecting something like this, but not quite so soon. Shit, I
thought. Things are so close.
I took the elevator down to the lobby, and walked out into the street.
When I had found a pay phone in a suitably innocuous location, I
inserted a phone card and punched in Tatsu's number. I could have just
ignored him, but it was hard to predict what he might do in response to
that. Better to know what he wanted, while maintaining the appearance
of cooperation.
There was a single ring, then I heard his voice. "Moshi moshij he
said, without identifying himself.
"Hello," I replied.
"Are you still in the same place?"
"Why would I want to leave?" I asked, letting him hear the sarcasm.
"I thought that, after our last meeting, you might choose to ... travel
again."
"I might. Haven't gotten around to it yet. I thought you'd know
that."
"I am trying to respect your privacy."
Bastard. Even when he was busily ruining my life, he could always coax
a smile out of me. "I appreciate that," I
told him.
"I would like to see you again, if you wouldn't mind."
I hesitated. He already knew where I lived. He didn't have to arrange
a meeting elsewhere, if he'd wanted to get to me. "Social visit?" I
asked.
"That is up to you."
"Social visit'
"All right."
"When?"
"I'll be in town tonight. Same place as last time?"
I hesitated again, then said, "Don't know if we'll be able to get in.
There's a hotel very near there, though, with a good bar. My kind of
place. You know what I'm talking about?"
I was referring to the bar at the Osaka Ritz-Carlton.
"I imagine I can find it."
"I'll meet you at the bar at the same time we met last time."
"Yes. I will look forward to seeing you then." A pause. Then: "Thank
you."
I hung up.
Seven.
I took the Hankyu train back to Osaka and went straight to the Ritz. I
wanted to be sure I was in position at least a few hours early, in case
there was anything I would want to see coming. I ordered a fruit and
cheese plate and drank Darjeeling tea while I waited.
Tatsu was punctual, as always. He was courteous, too, moving slowly
and letting me see him to show he didn't intend any surprises. He sat
down across from me in one of the upholstered chairs. He looked
around, taking in the light wood paneling, the wall sconces and
chandeliers.
"I need your assistance again," he said, after a moment.
Predictable. And right to the point, as always. But I'd make him wait
before responding. "You want a whiskey?" I asked. "They've got a
nice twelve-year-old Cragganmore."
He shook his head. "I'd like to join you,
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