In Death 16 - Portrait in Death
gaping open in the front. 'That's my wife,' he said to me. 'That's Meg Roarke, and that's our brat there.' And he slipped a knife from his belt, watching me as he flicked a thumb over the point. 'Any who says different,' he said, 'will find it hard to say anything after.'"
More than three decades later, in the cool haven of her office, Moira shuddered. "He called me by name. Siobhan must've told him my name. Never in my life have I been so afraid as when Patrick Roarke said my name. I left. If anyone left you there, with him, it was me."
"For all you know she'd gone home, or gotten away. Harder to travel with a baby on your shoulder."
Moira leaned forward. It wasn't anger he saw on her face, or impatience. It was passion. The heat of it blasted out of him, and turned cold under his skin.
"You were her heart and her soul. Her aingeal. And do you think I didn't check? I had, at least, the belly for that. I opened the letter. They were so relieved, so happy to hear from her. Told her to come home, to come and bring you home. Asked if she needed money to get there, or wanted her brothers, or her father to come fetch the both of you. They gave her family news. How her brother Ned had married and had a son as well, and her sister Sinead was engaged."
Overcome, she reached for the lemonade again, but this time simply rubbed the bottle between her palms. "I contacted them myself, asked them to tell me when she got there. Two weeks later, I heard from them, and they're asking me, is she coming then? When is she coming? I knew she was dead."
She sat back. "I knew in my heart when I'd been in the hovel and seen you, she was dead. Murdered by his hand. I saw her death in his eyes, when he looked at me and said my name, I saw it. Her parents, and her brother Ned, they came to Dublin when I told them what I knew. They went to the police, and were shrugged off. Ned, he was set on and beaten. Badly beaten, and rocks were thrown through the windows of my flat. I was terrified. And twice I saw him walking by there, he made sure I saw him."
She pressed her lips together. "I stepped away from it. Shameful as it is, that's what I did. Records showed Patrick and Meg Roarke were man and wife, and had been for five years. No record of your birth could be produced, but the woman said the babe was hers, and there was no one to say different. No one who dared, in any case. Girls like Siobhan came and went in Dublin town all the time. She'd turn up when she was ready, and I nodded and said that was so because I was too afraid to do otherwise."
There was a hideous weight on his chest, but he only nodded. "And you tell me this long, unsubstantiated story now, because..."
"I've heard of you. Made it my business to keep track of you, best I could even after I married and moved to America. I knew how you ran, much as he did. And figured those few months she was able to give you had been burned out of you, and he'd stamped himself on more than your handsome face. A bad seed, I could tell myself. You were just another bad seed, and I could comfort myself that way, and not be wakened in the middle of the night with that pretty baby crying in my dreams."
Absently, she picked up a small paperweight of clear glass shaped like a heart, and turned it over and over in her hands. "But in the last couple of years, I've heard things that made me wonder if that was so. And when Louise came to me, told me of this place, and what you meant to do with it, I took it as a sign, a sign it was time to speak of it."
She studied his face. "Maybe it's too late to make any difference to you, or to me. But I needed to say it to your face. I'll take a truth test if you want it. Or I'll resign as I said I would, and you can write me off."
He told himself he didn't believe her, not a single word. But there was pain under his heart, like a knife between the ribs. He was afraid it was truth stabbing at him. "You should understand that at least some of what you're claiming I'll be able to verify or debunk."
"I hope you'll do just that. There's one other thing. She wore a claddaugh, a silver claddaugh on her left hand-like a wedding ring, she told me, that he'd bought her when you were born. His promise that you'd be a family, in the eyes of God and man. When she came out of the bedroom, Meg Roarke was wearing Siobhan's ring. The ring that girl wouldn't take off her finger, even
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